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Premium Framed Print : Tile with Heraldic Lions, Front, c. 1888-1907 (earthenware, glazed, moulded)

Tile with Heraldic Lions, Front, c. 1888-1907 (earthenware, glazed, moulded)



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Tile with Heraldic Lions, Front, c. 1888-1907 (earthenware, glazed, moulded)

7305826 Tile with Heraldic Lions, Front, c.1888-1907 (earthenware, glazed, moulded) by Morgan, William De (1839-1917); 15.8x15.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: William Frend De Morgan (1839 - 1917)
Sands End Pottery); © Ashmolean Museum

Media ID 28381144

© Ashmolean Museum / Bridgeman Images

Arts And Crafts Movement Azulejo Big Cat Big Cats Cermaic Decorative Arts Feline Lions Morgan William De 1839 1917 Tile Tiles Wild Cat William De Morgan Ceramics Items Thing


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 59.9cm x 59.9cm (23.6" x 23.6")

Estimated Product Size is 68.5cm x 78.7cm (27" x 31")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > John Pearson

> Fine Art Finder > Artists > William De Morgan

> Animals > Mammals > Cats (Wild) > Wild Cat

> Animals > Wild > Big Cats > Lion

> Arts > Artists > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Oxford


EDITORS COMMENTS
This print showcases a stunning tile adorned with heraldic lions, created by the talented artist William De Morgan between 1888 and 1907. The earthenware tile, measuring approximately 15.8x15.7 cm, is beautifully glazed and molded to perfection. Displayed at the Ashmolean Museum in the University of Oxford, UK, this exquisite piece reflects De Morgan's exceptional craftsmanship and artistic vision. Known for his expertise in ceramics, De Morgan established Sands End Pottery as a testament to his passion for creating intricate works of art. The tile's design features majestic heraldic lions rendered in vibrant shades of blue and green. These regal creatures symbolize strength and nobility while exuding an air of wild beauty. Their presence on this ceramic masterpiece adds a touch of elegance to any space it graces. As we admire this remarkable creation from the late nineteenth century, we are reminded of the enduring allure of decorative arts throughout history. This particular artwork exemplifies the meticulous attention to detail that characterized many pieces from this era. Ellie Atkins has captured the essence of this magnificent tile through her skillful photography, allowing us to appreciate its intricacy even more deeply. Through her lens, she invites us into a world where artistry meets functionality—a world where objects like these tiles transcend their utilitarian purpose and become true works of art worthy of admiration for centuries to come.

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