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Premium Framed Print : Page 15. Golden Winged Pidgeon. Now known as a Forest Bronzewing Pigeon, c. 1789-90 (w / c)

Page 15. Golden Winged Pidgeon. Now known as a Forest Bronzewing Pigeon, c. 1789-90 (w  /  c)



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Page 15. Golden Winged Pidgeon. Now known as a Forest Bronzewing Pigeon, c. 1789-90 (w / c)

5669952 Page 15. Golden Winged Pidgeon. Now known as a Forest Bronzewing Pigeon, c.1789-90 (w/c) by Stone, Sarah (1760-1844); Mitchell Library, State Library of New South Wales; (add.info.: Album of 31 original watercolours of Australian fauna, c.1790 / Sarah Stone
Dimensions: Sheet sizes measure 33.8 x 25.1 cm; drawings are within frame lines approx. 23 x 17 cm (roughly equivalent to plate size of engravings)); Mitchell Library, State Library of New South Wales; English, out of copyright

Media ID 22337614

© Mitchell Library, State Library of New South Wales / Bridgeman Images

Aves Columbidae Fauna Ornithological Zoological Illustration


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.2cm x 24.4cm (7.2" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > John Leech

> Fine Art Finder > Artists > Sarah Stone

> Animals > Birds > Columbiformes > Pigeons > Related Images

> Animals > Birds > Pigeon

> Animals > Mammals > Cricetidae > Golden Mouse

> Arts > Artists > S > Sarah Stone

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Still life artwork > Watercolor paintings > Animal paintings

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Watercolor paintings > Animal watercolors > Colorful wildlife illustrations

> Arts > Watercolor paintings > Watercolor illustrations > Animal watercolor paintings

> Arts > Watercolor paintings


EDITORS COMMENTS
This print showcases the exquisite artwork of Sarah Stone, a renowned English artist from the 18th century. Titled "Page 15. Golden Winged Pidgeon. Now known as a Forest Bronzewing Pigeon" this watercolor painting is part of an album featuring 31 original illustrations of Australian fauna. The attention to detail in Stone's work is evident in this piece, as she beautifully captures the intricate features of the Forest Bronzewing Pigeon. The bird's iridescent wing patch shimmers with shades of gold and bronze, creating a stunning visual effect. Measuring approximately 33.8 x 25.1 cm, this artwork transports us back to the natural history discoveries made during the late 1700s. It offers a glimpse into Australia's diverse wildlife and serves as an important contribution to ornithological and zoological illustration. Housed at Mitchell Library, State Library of New South Wales, this print holds historical significance beyond its artistic value. It represents an era when exploration and scientific discovery were at their peak. As we admire Stone's skillful rendering of this avian beauty, we are reminded not only of her talent but also her dedication to capturing nature's wonders on paper for generations to come. This print truly exemplifies why Sarah Stone remains one of England's most celebrated artists in both fine art and natural history genres.

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