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Premium Framed Print : The Great Magazine Explosion at Toulon, searching for the Dead and Wounded, Priests waiting to administer Extreme Unction to the Dying (litho)
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The Great Magazine Explosion at Toulon, searching for the Dead and Wounded, Priests waiting to administer Extreme Unction to the Dying (litho)
1598587 The Great Magazine Explosion at Toulon, searching for the Dead and Wounded, Priests waiting to administer Extreme Unction to the Dying (litho) by Begg, Samuel (fl.1886-1916) (after); Private Collection; (add.info.: The Great Magazine Explosion at Toulon, searching for the Dead and Wounded, Priests waiting to administer Extreme Unction to the Dying. Illustration for The Illustrated London News, 11 March 1899.
s Begg); Look and Learn / Illustrated Papers Collection
Media ID 25146288
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Devastation Extreme Unction Medical Supplies Searching Toulon Waiting Wounded Limb Accidents Administer Asclepius Asklepieion Asklepios Dying Imam Injuries Medical Science Medical Services Physical Health Religious Role Wound
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 17.2cm x 24.4cm (6.8" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This lithograph, titled "The Great Magazine Explosion at Toulon, searching for the Dead and Wounded, Priests waiting to administer Extreme Unction to the Dying" transports us back in time to a devastating event that unfolded in France. Created by Samuel Begg in 1899, this illustration was featured in The Illustrated London News. The scene depicted is one of chaos and despair as priests anxiously await their turn to administer Extreme Unction, also known as the Last Rites or Sacrament of the Sick, to those on the brink of death. The explosion at Toulon's magazine has left behind a trail of destruction and countless casualties. In this moment frozen in time, we witness both the physical devastation caused by the blast and the spiritual solace offered by these clergy members. As we gaze upon this print from a private collection, our hearts ache for those who lost their lives or were gravely wounded during this tragic incident. It serves as a poignant reminder of how accidents can shatter lives within seconds but also highlights humanity's unwavering commitment to providing comfort and support even amidst chaos. Through Begg's skilled artistry and attention to detail, we are transported into an era where religion played a significant role not only in people's daily lives but also during times of crisis. This lithograph stands as a testament to both human resilience and faith's ability to provide solace when faced with unimaginable tragedy.
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