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Premium Framed Print : Silver Rock Melon, 1812 (aquatint and stipple-engraving
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Silver Rock Melon, 1812 (aquatint and stipple-engraving
986390 Silver Rock Melon, 1812 (aquatint and stipple-engraving, printed in colour and finished b) by Brookshaw, George (1751-1823); 57.4x45.9 cm; Private Collection; (add.info.: Silver Rock Melon. Plate 67, from Pomona Britannica; or, a collection of the most esteemed fruits at present cultivated in this country. George Brookshaw (1751-1823). Aquatint and stipple-engraving, printed in colour and finished by hand. Published in London, 1812. 57.4 x 45.9cm.); Photo eChristies Images; British, out of copyright
Media ID 23687664
© Christie's Images / Bridgeman Images
1810s 1812 Aquatint Decorative Technique Early 19th Century Early Nineteenth Century Etching Leafed Leafy Melon Named Writer Plant Part Plate Prints Slice Stipple Engraved Stipple Plate Yellow Brookshaw George Brookshaw Pomona Britannica
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.8cm x 24.4cm (7.4" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of George Brookshaw, a renowned artist from the early 19th century. Titled "Silver Rock Melon, 1812" this aquatint and stipple-engraving is a true masterpiece in its own right. The print, measuring at an impressive 57.4x45.9 cm, captures every intricate detail of the silver rock melon with remarkable precision. Part of Brookshaw's famous collection called Pomona Britannica, this particular piece represents Plate 67 and was published in London in 1812. The vibrant colors and meticulous hand-finishing truly bring out the beauty of this fruit. The close-up view allows us to appreciate the delicate leafy details surrounding the slice of melon. The decorative technique employed by Brookshaw adds an extra layer of elegance to this already stunning composition. As we delve into this enchanting image, it becomes evident that it not only celebrates nature's bounty but also serves as a testament to Brookshaw's exceptional talent as an artist. His expertise in aquatint and stipple-engraving shines through every stroke on this print. Through his artistry, Brookshaw invites us to explore the intersection between botany and visual aesthetics while offering us a glimpse into early nineteenth-century botanical studies. This print is not just a beautiful piece; it is also a valuable historical artifact that speaks volumes about both art and science during that era. Thanks to Bridgeman Images' preservation efforts, we can still admire and appreciate these masterpieces today – capturing our imagination with their timeless allure.
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