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Premium Framed Print : L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration

L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration



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L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration

ICA4890314 L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration, Courier La Poste, Office - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration, Courier La Poste, Office - Illustration by Georges d Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright

Media ID 23338122

© Caricadoc / Bridgeman Images

Administration Bank Bureaucracy Mail Official Official Document Caricadoc Journalism Newspapers


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.8cm x 24.4cm (7.4" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Georges d' (1878-1937) Ostoya

> Fine Art Finder > Artists > Henri Jules Ferdinand

> Popular Themes > Money


EDITORS COMMENTS
This print titled "L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Administration" takes us back to the early 20th century in France. The image showcases a bustling office scene filled with bureaucrats diligently working amidst stacks of official documents and mail. Illustrated by Georges d Ostoya-Sochinsky (D Ostoya), this satirical engraving offers a humorous take on the French administration system of that era. It highlights the complexities and inefficiencies inherent in bureaucracy while shedding light on the daily struggles faced by those working within it. The composition is rich in detail, capturing every nuance of human interaction within this bureaucratic setting. From bank transactions to press releases, each element symbolizes the intricate web of communication necessary for smooth administrative functioning. The artist's skillful use of shading and line work brings life to this monochromatic illustration. Despite its age, the print remains visually striking and relevant even today. It serves as a reminder that certain aspects of bureaucracy have stood the test of time. This historic photograph transports viewers back to an era when paper ruled supreme and technology was yet to revolutionize administrative processes. It invites contemplation on how far we have come since then while acknowledging that some challenges remain universal across different time periods and cultures.

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