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Premium Framed Print : Female nude with Death as a skeleton, 1897 (etching)

Female nude with Death as a skeleton, 1897 (etching)



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Female nude with Death as a skeleton, 1897 (etching)

990955 Female nude with Death as a skeleton, 1897 (etching) by Rassenfosse, Armand (1862-1934); 28x21.5 cm; Private Collection; (add.info.: Female nude with Death as a skeleton. From Les Fleurs du Mal, by Charles Baudelaire. Illustrated by Armand Rassenfosse (1862-1934). Etching. Signed and dated 1897 (in the original). Published, Paris, 1899. 28 x 21.5cm.); Photo eChristies Images; Belgian, out of copyright

Media ID 22307896

© Christie's Images / Bridgeman Images

1897 20th Century Decorative Arts 20th Century Painting Armand Rassenfosse Artist Belgian Belgian Art Belgian Artist Bosom Breast Charles Baudelaire Death And The Maiden Etching Kiss Kisser Kissing Negative Concept Prints Skin Woman Alone Wooded Les Fleurs Du Mal Mortality Natural Space Rassenfosse


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 39.6cm (10" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Armand Rassenfosse

> Fine Art Finder > Artists > Granville Redmond

> Fine Art Finder > Temp Classification

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Europe > Belgium > Paintings

> Europe > Belgium > Posters

> Europe > Belgium > Related Images


EDITORS COMMENTS
This black and white etching, titled "Female nude with Death as a skeleton" is a thought-provoking piece of art created by Belgian artist Armand Rassenfosse in 1897. The print measures 28x21.5 cm and belongs to a private collection. The image depicts a female figure standing amidst a woodland setting, her naked body exposed for all to see. However, what makes this artwork truly intriguing is the presence of Death personified as a skeleton, embracing the woman in an intimate kiss. This juxtaposition between life and death creates an unsettling yet mesmerizing visual narrative. Rassenfosse's inspiration for this work comes from Charles Baudelaire's renowned book Les Fleurs du Mal (The Flowers of Evil). The etching serves as an illustration for one of Baudelaire's poems that explores themes of mortality and the fragility of human existence. The artist's skillful use of lines and shading brings depth and texture to the composition, while also emphasizing the contrasting elements within it. The delicate portrayal of the female form against the starkness of Death adds to its symbolic power. This late nineteenth-century artwork continues to captivate viewers with its exploration of negative concepts such as mortality and vulnerability. It stands as a testament to Rassenfosse's artistic prowess and his ability to evoke strong emotions through his work.

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