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Kisser Collection

"Exploring the Art of Kisser: From Passionate Embraces to Forbidden Desires" In the world of art, the concept of a "kisser" takes on various forms and interpretations

Background imageKisser Collection: Female nude with Death as a skeleton, 1897 (etching)

Female nude with Death as a skeleton, 1897 (etching)
990955 Female nude with Death as a skeleton, 1897 (etching) by Rassenfosse, Armand (1862-1934); 28x21.5 cm; Private Collection; (add.info.: Female nude with Death as a skeleton)

Background imageKisser Collection: Grandmothers Visit, 1881 (oil on canvas)

Grandmothers Visit, 1881 (oil on canvas)
989251 Grandmothers Visit, 1881 (oil on canvas) by Vinea, Francesco (1845-1902); 82x149.2 cm; Private Collection; (add.info.: Grandmothers Visit. Francesco Vinea (1845-1902). Oil on canvas

Background imageKisser Collection: The Forbidden Kiss, (oil on canvas)

The Forbidden Kiss, (oil on canvas)
985475 The Forbidden Kiss, (oil on canvas) by Jones, Francis Coates (1857-1932); 61x92 cm; Private Collection; (add.info.: The Forbidden Kiss. Francis Coates Jones (1857-1932). Oil on canvas

Background imageKisser Collection: Comic postcard, The Price of a Kiss Date: 20th century

Comic postcard, The Price of a Kiss Date: 20th century

Background imageKisser Collection: A Meissen crinoline group of the rest during the case, c. 1745 (porcelain)

A Meissen crinoline group of the rest during the case, c. 1745 (porcelain)
1766862 A Meissen crinoline group of the rest during the case, c.1745 (porcelain) by Kaendler, Johann Joachim (1706-75); Private Collection; (add.info)

Background imageKisser Collection: Romeo and Juliet (marble on a green marble base)

Romeo and Juliet (marble on a green marble base)
989362 Romeo and Juliet (marble on a green marble base) by Vichi, Ferdinando (fl.19th century); 116.8x45.7x48.3 cm; Private Collection; (add.info.: Romeo and Juliet. Ferdinando Vichi (19th century)

Background imageKisser Collection: The Eternal Spring, first state, before 1892 (bronze with brown patina)

The Eternal Spring, first state, before 1892 (bronze with brown patina)
987396 The Eternal Spring, first state, before 1892 (bronze with brown patina) by Rodin, Auguste (1840-1917); 63.5 cm; Private Collection; (add.info.: The Eternal Spring)

Background imageKisser Collection: Ovids Metamorphoses, c. 1892-1899 (bronze with green patina)

Ovids Metamorphoses, c. 1892-1899 (bronze with green patina)
987395 Ovids Metamorphoses, c.1892-1899 (bronze with green patina) by Rodin, Auguste (1840-1917); 33 cm; Private Collection; (add.info.: Ovids Metamorphoses; Les Metamorphoses d Ovide)

Background imageKisser Collection: Fashionable people playing the game of Guess the Kisser

Fashionable people playing the game of Guess the Kisser
Fashionable people at a party play the game of Guess the kisser, a parlour game where a blindfolded girl has to guess who is kissing her on the cheek

Background imageKisser Collection: A leaded and plated favrile glass window, c. 1895 (glass)

A leaded and plated favrile glass window, c. 1895 (glass)
1764760 A leaded and plated favrile glass window, c.1895 (glass) by American School, (19th century); 167x97.8 cm; Private Collection; (add.info.: A leaded and plated favrile glass window)

Background imageKisser Collection: The Dream (The Kiss); Le reve (Le baiser), c. 1934 (bronze with brown patina, base)

The Dream (The Kiss); Le reve (Le baiser), c. 1934 (bronze with brown patina, base)
1768020 The Dream (The Kiss); Le reve (Le baiser), c.1934 (bronze with brown patina, base) by Gonzales, Julio (1876-1942); 62 (height without base) cm; Private Collection; (add.info)

Background imageKisser Collection: Dido and Cupid, 1874-c. 1919 (w / c on vellum)

Dido and Cupid, 1874-c. 1919 (w / c on vellum)
1195388 Dido and Cupid, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageKisser Collection: A Good Wine, (oil on canvas)

A Good Wine, (oil on canvas)
989423 A Good Wine, (oil on canvas) by Andreotti, Federigo (1847-1930); 64.8x49 cm; Private Collection; (add.info.: A Good Wine. Federigo Andreotti (1847-1930). Oil on canvas

Background imageKisser Collection: The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)

The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)
986374 The Coronation of the Virgin by the Holy Trinity, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info)

Background imageKisser Collection: Madame Rejane, c. 1885 (oil on canvas)

Madame Rejane, c. 1885 (oil on canvas)
988979 Madame Rejane, c.1885 (oil on canvas) by Boldini, Giovanni (1842-1931); 50.4x42.5 cm; Private Collection; (add.info.: Madame Rejane. Giovanni Boldini (1842-1931). Oil on canvas

Background imageKisser Collection: Never Mind!, 1884 (oil on canvas)

Never Mind!, 1884 (oil on canvas)
987321 Never Mind!, 1884 (oil on canvas) by Morgan, Frederick (1856-1927); 83.8x96.5 cm; Private Collection; (add.info.: Never Mind! Frederick Morgan (1856-1927). Oil on canvas. Painted in 1884

Background imageKisser Collection: Presumed Portrait of the Comte Oscar de Ranchicourt and his Family in Troubadour Costumes

Presumed Portrait of the Comte Oscar de Ranchicourt and his Family in Troubadour Costumes
990041 Presumed Portrait of the Comte Oscar de Ranchicourt and his Family in Troubadour Costumes, 1837 (black lead and black chalk) by Chasseriau

Background imageKisser Collection: Leaving the Alhambra, 1887 (oil on canvas)

Leaving the Alhambra, 1887 (oil on canvas)
989325 Leaving the Alhambra, 1887 (oil on canvas) by Moore, Harry Humphrey (1844-1926); 63x37 cm; Private Collection; (add.info.: Leaving the Alhambra. Harry Humphrey Moore (1844-1926)

Background imageKisser Collection: The Triumph of Venus and Cupid with Cupids Chariot, (oil on canvas)

The Triumph of Venus and Cupid with Cupids Chariot, (oil on canvas)
990110 The Triumph of Venus and Cupid with Cupids Chariot, (oil on canvas) by Platzer, Johann Georg (1704-61); 94.5x74.3 cm; Private Collection; (add.info)


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"Exploring the Art of Kisser: From Passionate Embraces to Forbidden Desires" In the world of art, the concept of a "kisser" takes on various forms and interpretations. From timeless classics to whimsical creations, these pieces capture the essence of human connection and desire. One such captivating artwork is "Female nude with Death as a skeleton. " Created in 1897 through an etching technique, it portrays a vulnerable yet provocative scene where life intertwines with mortality. The artist skillfully balances beauty and darkness, leaving viewers mesmerized by this unconventional depiction. In contrast, "Man and Woman (Embrace); Mann und Frau (Umarmung)" showcases love's tender embrace. Painted in 1917 using gouache and black crayon on paper, this piece exudes warmth and intimacy. It serves as a reminder that amidst chaos or war-torn times, love can still blossom. Moving back in time to 1881, we encounter "Grandmothers Visit, " an oil painting on canvas that captures familial affection. This heartwarming scene depicts generations coming together in harmony—a testament to the enduring power of family bonds. However, not all kisses are innocent or accepted by society. In "The Forbidden Kiss, " painted on canvas with meticulous brushstrokes, we witness passion restrained by societal norms. This thought-provoking artwork challenges us to question conventions while celebrating our innate desires. Taking a lighter approach is the comic postcard titled "The Price of a Kiss. " Dating back to the 20th century when humor was used as social commentary; it playfully explores how something seemingly simple can have unexpected consequences. Delving into different mediums brings us face-to-face with delicate porcelain sculptures like "A Meissen crinoline group. " Crafted around 1745 from porcelain materials meticulously shaped into intricate figures during their leisurely moments—these pieces embody elegance alongside subtle sensuality.