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Premium Framed Print : A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)

A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)



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A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)

XIR903573 A Feast held in a Circular Portico of the Ionic Order, c.1720-25 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 35x39 cm; Louvre, Paris, France; (add.info.: Festin donnesous un portique circulaire d ordre ionique
Exhibition Pannini, Louvre, 1992
); Italian, out of copyright

Media ID 12946377

© www.bridgemanimages.com

Banquet Celebrating Circular Classicism Feast Feasting Ionic Order Portico


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 59.9cm x 53.9cm (23.6" x 21.2")

Estimated Product Size is 78.7cm x 68.5cm (31" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Giovanni Paolo Pannini or Panini

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> Architecture > Related Images

> Arts > Artists > P > Giovanni Paolo Pannini or Panini

> Arts > Fine Art

> Europe > France > Paintings

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Related Images

> Europe > France > Paris > Sights > Louvre


EDITORS COMMENTS
This print showcases "A Feast held in a Circular Portico of the Ionic Order" a magnificent oil on canvas painting created by Giovanni Paolo Pannini or Panini between 1720 and 1725. The artwork, measuring 35x39 cm, is housed in the prestigious Louvre Museum in Paris, France. The scene depicted in this masterpiece transports viewers to an opulent banquet filled with joyous celebration. Men and women gather together under the grandeur of a circular portico adorned with intricate Ionic columns. The architectural design evokes a sense of antiquity and classicism, reflecting the artist's mastery of capturing historical moments. As we delve into this feast-filled spectacle, our eyes are drawn to the vibrant array of food and drink that adorns the tables. Guests indulge themselves while engaging in lively conversations amidst an atmosphere brimming with festivity. Animals also partake in this grand affair, adding an element of whimsy to the composition. Pannini's attention to detail is evident as he skillfully captures every nuance within this bustling gathering. Through his brushstrokes, he brings life to each figure present at the feast, allowing us to witness their enjoyment firsthand. This remarkable painting serves as both a testament to Pannini's artistic prowess and a window into extravagant celebrations from centuries past. Its inclusion in various exhibitions throughout history further solidifies its significance within art history circles.

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