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Premium Framed Print : View of the Fontana dell Acqua Felice with the Church of Santa Maria della Vittoria behind

View of the Fontana dell Acqua Felice with the Church of Santa Maria della Vittoria behind



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View of the Fontana dell Acqua Felice with the Church of Santa Maria della Vittoria behind

XJF497243 View of the Fontana dell Acqua Felice with the Church of Santa Maria della Vittoria behind, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma, Veduta del Castello dell Acqua Felice, presso le Terme Diocleziane. Fontana dell Acqua Felice, or The Fountain of Moses, by the remains of the Baths of Diocletian, marks the terminus of the acqua Felice on the Quirinal. ); Italian, out of copyright

Media ID 12915978

© www.bridgemanart.com

Acqua Aqueduct Baths Castello Dell Della Diocletian Felice Fontana Maria Moses Presso Quirinal Remains Roma Santa Series Terme Terminus Veduta Vedute Vittoria


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 23.1cm (15.6" x 9.1")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Giovanni Battista Piranesi

> Fine Art Finder > Classical


EDITORS COMMENTS
This print captures the enchanting view of the Fontana dell Acqua Felice with the majestic Church of Santa Maria della Vittoria standing proudly in the background. Taken from Giovanni Battista Piranesi's renowned Views of Rome series, this etching showcases his exceptional talent for capturing the essence and grandeur of Roman architecture. The Fontana dell Acqua Felice, also known as The Fountain of Moses, is a remarkable sight nestled near the remains of the Baths of Diocletian. It serves as a striking testament to ancient Roman engineering and marks the end point of the acqua Felice aqueduct on Quirinal Hill. Its intricate design and imposing presence make it an iconic landmark within Rome's cityscape. Behind this magnificent fountain stands the Church of Santa Maria della Vittoria, adding a touch of religious significance to this picturesque scene. With its stunning Baroque facade and ornate details, it serves as a breathtaking backdrop that perfectly complements the architectural beauty surrounding it. Piranesi's masterful composition transports viewers back in time, allowing them to immerse themselves in Rome's rich history and appreciate its timeless allure. This print is truly a treasure for art enthusiasts and history lovers alike, offering a glimpse into one of Italy's most beloved cities through Piranesi's artistic lens.

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