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Premium Framed Print : Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)

Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)



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Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)

7315150 Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Clodia, Matronne impudique (Clodia, Immodest Matron). Design by George Barbier, engraved on wood by Pierre Bouchet and included in the book Vies imaginaries (Imaginary Lives) by French author Marcel Schwob. From the 1929 edition.); Photo © Ken Welsh. All rights reserved 2022

Media ID 28436034

© Ken Welsh. All rights reserved 2022 / Bridgeman Images

3 People 3 Persons 3 Three People Barbier Georges 1882 1932 Courtship Dish Dishes Flirt Flirtation Flirting George Barbier Love Scene Lover Loving Plates Romanticism Love Screenprint Secession Jugendstyl Seduces Seducing Seduction Seductive Three Persons Womenfolk 1920s 20s 20s Antic Rome Art Style Lovers Semi Nude Several People Several Persons


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.6cm x 24.4cm (8.5" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Franz Huys

> Fine Art Finder > Artists > Georges Barbier

> Arts > Art Movements > Art Nouveau

> Arts > Art Movements > Romanticism

> Arts > Artists > B > George Barbier

> Arts > Artists > R > Roman Roman

> Arts > Authors

> Europe > Italy > Lazio > Rome

> Historic > Ancient civilizations > Roman Empire > Ancient Rome

> Historic > Ancient civilizations > Roman Empire > Roman art


EDITORS COMMENTS
Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 captures the essence of love and desire in the vibrant art style of the early twentieth century. This enchanting engraving by Georges Barbier, beautifully engraved on wood by Pierre Bouchet, is a part of the renowned book Vies imaginaries (Imaginary Lives) written by Marcel Schwob. In this scene, three individuals are depicted in an intimate moment that exudes passion and sensuality. The ornate decoration surrounding them adds to the allure of their encounter, creating an atmosphere of romance and intrigue. The artist's use of color brings life to the composition, enhancing every detail with a rich palette. The woman at the center embodies femininity and grace as she engages with her two lovers. Their bodies intertwine seamlessly, symbolizing their deep connection and shared affection. Set against a backdrop featuring a charming fountain reminiscent of France's romantic landscapes, this artwork transports us to a world where love knows no boundaries or inhibitions. It is a celebration of human desires and emotions expressed through artistic mastery. As we admire Clodia's audacity and beauty captured in this piece from the 1920s Art Nouveau movement, we are reminded that love has always been an enduring theme throughout history. This print serves as both a testament to our universal longing for connection and an exquisite example of artistic expression.

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