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Premium Framed Print : Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884

Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884



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Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884

FLO4638658 Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.; (add.info.: Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.); © Florilegius

Media ID 38440328

© © Florilegius / Bridgeman Images

16eme Siecle Broker Courtier Francis Bartolozzi Gentleman Hans Holbein King Henry Viii Noble


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.1cm x 24.4cm (6.7" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Emile Andre Schefer

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > United Kingdom > Scotland > Strathclyde > Hamilton

> Popular Themes > HenryVIII


EDITORS COMMENTS
This stunning handcoloured copperplate engraving captures the essence of a mysterious sitter from the 16th century, brought to life by the skilled hands of Francis Bartolozzi after the original work by Hans Holbein. The intricate details and delicate coloring showcase the artistry and attention to detail that was characteristic of this era. The unknown sitter exudes an air of nobility and elegance, with a gaze that seems to pierce through time itself. Their attire suggests a person of high status, perhaps a courtier or even royalty. The portrait is imbued with a sense of intrigue, inviting viewers to ponder about the identity and story behind this enigmatic figure. As we admire this exquisite piece, we are transported back to a time when portraiture was not just about capturing physical likeness, but also conveying personality and character. The meticulous craftsmanship evident in every stroke speaks volumes about the talent of both Holbein and Bartolozzi. This print serves as a window into history, offering us a glimpse into the world of 16th-century Europe and its opulent courts. It reminds us of the enduring power of art to transcend time and connect us with our past.

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