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Premium Framed Print : John More, son of Sir Thomas More and his first wife Jane. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884

John More, son of Sir Thomas More and his first wife Jane. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884



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John More, son of Sir Thomas More and his first wife Jane. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884

FLO4645854 John More, son of Sir Thomas More and his first wife Jane. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.; (add.info.: John More, son of Sir Thomas More and his first wife Jane. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.); © Florilegius

Media ID 38440276

© © Florilegius / Bridgeman Images

16eme Siecle Broker Courtier Francis Bartolozzi Hans Holbein Idiot King Henry Viii Sir Thomas More Noble


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.7cm x 24.4cm (7" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Emile Andre Schefer

> Arts > Artists > H > Thomas Henry

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > United Kingdom > Scotland > Strathclyde > Hamilton

> Popular Themes > HenryVIII


EDITORS COMMENTS
This exquisite handcoloured copperplate engraving captures the likeness of John More, son of the renowned Sir Thomas More and his first wife Jane. Created by Francis Bartolozzi after a drawing by the masterful Hans Holbein, this portrait exudes a sense of nobility and sophistication. John More's lineage as the son of Sir Thomas More, advisor to King Henry VIII, is evident in his dignified pose and refined features. The intricate details captured in this engraving showcase the skill and artistry of both Holbein and Bartolozzi. As a member of court during the 16th century, John More would have been surrounded by intrigue and power. His presence in this portrait conveys a sense of authority and intelligence befitting his noble upbringing. The delicate handcolouring adds depth and richness to the image, bringing out subtle nuances in shading and highlighting. This print from "Facsimiles of Original Drawings by Hans Holbein" is a true testament to the talent of these Renaissance artists. Capturing a moment frozen in time, this engraving allows us to glimpse into the world of John More - a man whose legacy continues to fascinate historians and art enthusiasts alike.

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