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Premium Framed Print : Camel biting, shaking and trampling its Arab owners clothes in a rage
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Camel biting, shaking and trampling its Arab owners clothes in a rage
6337367 Camel biting, shaking and trampling its Arab owners clothes in a rage by English School, (19th century); (add.info.: Camel biting, shaking and trampling its Arab owners clothes in a rage. When the rage subsides, the owner can approach the beast safely. In the background, the rest of the caravan waits for the animal to calm down. Handcoloured copperplate engraving from Reverend Thomas Smiths The Naturalists Cabinet, or Interesting Sketches of Animal History, Albion Press, James Cundee, London, 1806. Smith, fl. 1803-1818, was a writer and editor of books on natural history, religion, philosophy, ancient history and astronomy.); © Florilegius
Media ID 23733564
© Florilegius / Bridgeman Images
Albion Press Anecdote Approach Arabia Arabian Camel Arabs Bactrian Camel Beast Biting Burden Calm Calmness Camel Camels Camelus Dromedarius Caravan Composure Desert Dromedary Du Soudan James Cundee Piece And Quiet Quiet Rage Reverend Thomas Smith Scientific Illustration Serene Serenity Shaking The Naturalists Cabinet Trampling Arab Civilization Arab Culture Arabians Central Africa Sudan Summer Clothes
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 22cm (15.6" x 8.7")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This 19th-century print captures a dramatic moment in the relationship between man and beast. In this scene, an enraged camel bites, shakes, and tramples its Arab owner's clothes with ferocity. The intense rage of the animal is palpable as it unleashes its fury upon the garments. However, there is a glimmer of hope amidst the chaos. As the rage subsides, the owner can approach the once-ferocious beast safely. This anecdote highlights the unique bond that exists between humans and animals - even in moments of extreme anger or aggression. In the background, we see a caravan patiently waiting for this majestic creature to calm down. The desert setting adds to the mystique surrounding these magnificent creatures who have long been associated with Arabian culture. The hand-colored copperplate engraving from Reverend Thomas Smith's "The Naturalists Cabinet" beautifully depicts this powerful encounter. Smith was not only a writer but also an editor on various subjects including natural history and religion. This artwork serves as a reminder of both nature's raw power and our ability to find serenity amidst chaos. It invites us to contemplate our own interactions with animals and appreciate their beauty even in moments of turmoil.
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