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Premium Framed Print : Integrity Retiring from Office, published by Hannah Humphrey in 1801

Integrity Retiring from Office, published by Hannah Humphrey in 1801



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Integrity Retiring from Office, published by Hannah Humphrey in 1801

NCO189720 Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); 25.4x35.7 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: William Pitt the Younger (1759-1806) resigns as Prime Minister in protest at Kings rejection of the bills to unite England and Ireland and to emancipate Irish Catholics; incited by Richard Brinsley Sheridan (1751-1816); ); English, out of copyright

Media ID 22931054

© Bridgeman Images

Cabinet Grenadier Hanoverian Political Satire Rabble Resignation Riot Self Sacrifice Treasury 1742 1811


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.6cm (9.6" x 6.9")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Byzantine

> Fine Art Finder > Artists > James Gillray

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> Animals > Fishes > G > Grenadier

> Arts > Artists > G > James Gillray

> Arts > Artists > I > William Ireland

> Arts > Artists > J > William James

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> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Politics > William Pitt the Younger

> Europe > United Kingdom > England > London > Politics > William Pitt

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > England > Politics


EDITORS COMMENTS
The print titled "Integrity Retiring from Office" captures a pivotal moment in British history, published by Hannah Humphrey in 1801. In this hand-coloured etching with aquatint, James Gillray masterfully portrays the resignation of William Pitt the Younger as Prime Minister. The image depicts Pitt in a declamatory pose, symbolizing his self-sacrifice and unwavering integrity. Pitt's resignation was prompted by King George III's rejection of bills aimed at uniting England and Ireland and emancipating Irish Catholics. Richard Brinsley Sheridan can be seen inciting the riotous scene surrounding Pitt, emphasizing the political satire inherent in this artwork. The composition showcases various elements that highlight the tumultuous nature of politics during this period. A Whig mob is depicted alongside members of Parliament, representing different factions vying for power. The Treasury building looms in the background as a reminder of governmental authority. Gillray's caricature style adds an element of humor to the piece while also conveying its satirical intent. Through exaggerated features and gestures, he criticizes not only specific politicians but also broader societal issues such as corruption within government institutions. This print offers viewers a glimpse into Georgian-era politics and serves as a testament to Gillray's skillful artistry and ability to capture complex historical moments through visual storytelling.

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