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Premium Framed Print : Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)
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Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)
XIR192400 Shinagawa: departure of a Daimyo, in later editions called Sunrise, No.2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Musee des Beaux-Arts, Angers, France; Japanese, out of copyright
Media ID 12751094
© Bridgeman Images
Cargo Junk Ukiyo E Yoko E Sun Rising
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.2cm (15.6" x 9.9")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido" takes us back to 19th century Japan. Created by Hiroshige, Ando or Utagawa between 1834-35, this colour woodblock print showcases their mastery in capturing the essence of Japanese culture and landscapes. The image depicts Shinagawa, a bustling port and harbour filled with activity. A majestic junk boat is seen anchored near the shore while smaller vessels navigate through calm waters. The rising sun casts a warm glow over the scene, symbolizing new beginnings and promising adventures ahead. Intricate details are evident throughout the artwork - from the meticulously rendered cargo on board to the delicate brushstrokes that bring life to every element. This ukiyo-e style print offers viewers a glimpse into daily life during this era; it transports us to an enchanting world where tradition meets modernity. Displayed at Musee des Beaux-Arts in Angers, France, this piece represents not only an important part of Japanese art history but also serves as a reminder of our shared human experiences across time and cultures. It invites contemplation about journeys taken and those yet to come - both literal and metaphorical. As we admire this remarkable work by Hiroshige (Ando or Utagawa), let us appreciate its beauty and significance as a testament to artistic excellence that transcends borders and
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