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Glass Frame : Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)

Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)



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Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)

XIR192400 Shinagawa: departure of a Daimyo, in later editions called Sunrise, No.2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Musee des Beaux-Arts, Angers, France; Japanese, out of copyright

Media ID 12751094

© Bridgeman Images

Cargo Junk Ukiyo E Yoko E Sun Rising


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")

Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print titled "Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido" takes us back to 19th century Japan. Created by Hiroshige, Ando or Utagawa between 1834-35, this colour woodblock print showcases their mastery in capturing the essence of Japanese culture and landscapes. The image depicts Shinagawa, a bustling port and harbour filled with activity. A majestic junk boat is seen anchored near the shore while smaller vessels navigate through calm waters. The rising sun casts a warm glow over the scene, symbolizing new beginnings and promising adventures ahead. Intricate details are evident throughout the artwork - from the meticulously rendered cargo on board to the delicate brushstrokes that bring life to every element. This ukiyo-e style print offers viewers a glimpse into daily life during this era; it transports us to an enchanting world where tradition meets modernity. Displayed at Musee des Beaux-Arts in Angers, France, this piece represents not only an important part of Japanese art history but also serves as a reminder of our shared human experiences across time and cultures. It invites contemplation about journeys taken and those yet to come - both literal and metaphorical. As we admire this remarkable work by Hiroshige (Ando or Utagawa), let us appreciate its beauty and significance as a testament to artistic excellence that transcends borders and

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