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Premium Framed Print : Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book "Illustrations Of English And Scottish History"Volume 1

Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book 'Illustrations Of English And Scottish History'Volume 1



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Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book "Illustrations Of English And Scottish History"Volume 1

Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C.W. Sharpe After Frederick Goodall. From The Book " Illustrations Of English And Scottish History" Volume 1

Design Pics offers Distinctively Different Imagery representing over 1,500 contributors

Media ID 18186720

© Ken Welsh / Design Pics

15th 16th Archbishop Canterbury Cranmer Drawing Fifteenth Gate London Protestant Sixteenth Thomas Tower Traitors


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 23.3cm (15.6" x 9.2")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This print titled "Cranmer At The Traitors Gate" transports us back to the 16th century, immersing us in a pivotal moment of English history. The image depicts Thomas Cranmer, an influential figure and the first Protestant Archbishop of Canterbury from 1533 to 1556. Engraved by C. W. Sharpe after Frederick Goodall's original work, this black and white illustration exudes a sense of historical grandeur. The scene unfolds at the Tower of London, specifically at the infamous Traitors Gate. This gate holds significant symbolism as it was used to bring prisoners into the tower during Tudor times. Here we witness Cranmer's arrival at this foreboding entrance, evoking a sense of anticipation and trepidation. Cranmer himself is portrayed with great detail and precision, capturing his dignified presence amidst tumultuous times for religious reform in England. As one of the key figures responsible for establishing Protestantism within the Church of England during King Henry VIII's reign, Cranmer played an instrumental role in shaping English religious identity. This engraving serves as both a visual feast for history enthusiasts and an homage to Cranmer's enduring legacy. Its inclusion in "Illustrations Of English And Scottish History". Volume 1 further solidifies its significance as a valuable piece documenting crucial moments that shaped our understanding of religion and politics in medieval England.

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