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Framed Print : Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book "Illustrations Of English And Scottish History"Volume 1

Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book 'Illustrations Of English And Scottish History'Volume 1



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Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C. W. Sharpe After Frederick Goodall. From The Book "Illustrations Of English And Scottish History"Volume 1

Cranmer At The Traitors Gate. Thomas Cranmer, 1489-1556. First Protestant Archbishop Of Canterbury 1533-1556. Engraved By C.W. Sharpe After Frederick Goodall. From The Book " Illustrations Of English And Scottish History" Volume 1

Design Pics offers Distinctively Different Imagery representing over 1,500 contributors

Media ID 18186720

© Ken Welsh / Design Pics

15th 16th Archbishop Canterbury Cranmer Drawing Fifteenth Gate London Protestant Sixteenth Thomas Tower Traitors


22"x18" (58x48cm) Modern Frame

Bring history to life with our stunning Framed Print of Thomas Cranmer, the First Protestant Archbishop of Canterbury. This exquisite print, featuring an engraving by C.W. Sharpe after Frederick Goodall, is taken from the esteemed book "Illustrations Of English And Scottish History" by Ken Welsh. Witness the intriguing moment of Cranmer's arrival at the Traitor's Gate in this beautifully detailed piece, perfect for adding character and depth to any room. Elevate your home decor with this captivating piece of historical art.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 23.3cm (15.6" x 9.2")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This print titled "Cranmer At The Traitors Gate" transports us back to the 16th century, immersing us in a pivotal moment of English history. The image depicts Thomas Cranmer, an influential figure and the first Protestant Archbishop of Canterbury from 1533 to 1556. Engraved by C. W. Sharpe after Frederick Goodall's original work, this black and white illustration exudes a sense of historical grandeur. The scene unfolds at the Tower of London, specifically at the infamous Traitors Gate. This gate holds significant symbolism as it was used to bring prisoners into the tower during Tudor times. Here we witness Cranmer's arrival at this foreboding entrance, evoking a sense of anticipation and trepidation. Cranmer himself is portrayed with great detail and precision, capturing his dignified presence amidst tumultuous times for religious reform in England. As one of the key figures responsible for establishing Protestantism within the Church of England during King Henry VIII's reign, Cranmer played an instrumental role in shaping English religious identity. This engraving serves as both a visual feast for history enthusiasts and an homage to Cranmer's enduring legacy. Its inclusion in "Illustrations Of English And Scottish History". Volume 1 further solidifies its significance as a valuable piece documenting crucial moments that shaped our understanding of religion and politics in medieval England.

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