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Premium Framed Print : Bas-relief of assyrian-babylonian provenance titled Inscription by Tiglath-Pileser who mentions among his vassals Ahaz, King of Judah (on the verso), in the British Museum in London

Bas-relief of assyrian-babylonian provenance titled Inscription by Tiglath-Pileser who mentions among his vassals Ahaz, King of Judah (on the verso), in the British Museum in London



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Bas-relief of assyrian-babylonian provenance titled Inscription by Tiglath-Pileser who mentions among his vassals Ahaz, King of Judah (on the verso), in the British Museum in London

Bas-relief of assyrian-babylonian provenance titled Inscription by Tiglath-Pileser who mentions among his vassals Ahaz, King of Judah (on the verso), in the British Museum in London Low Relief, Basrelief Mesopotamian/Babylonian/Assyrian Civilization, Asia, Ancient Civilization. Date of Photograph:1900 ca.. Date of Artwork:VIII sec.a.C

MFC-F-001587-0000

Media ID 33267528

© Alinari Archives, Florence

Asia Find Tablet


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19cm (9.6" x 7.5")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Babylonian Babylonian

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Sights > British Museum

> Historic > Ancient civilizations > Ancient Israel and Judah

> Historic > Ancient civilizations


EDITORS COMMENTS
This print showcases a remarkable bas-relief of Assyrian-Babylonian origin, known as "Inscription by Tiglath-Pileser who mentions among his vassals Ahaz, King of Judah". Preserved within the prestigious walls of The British Museum in London, this ancient artifact takes us back to the 8th century BC. The photograph itself was taken around 1900 and expertly captures the intricate details of this low relief sculpture. Every line and curve on the tablet tells a story from a distant past, revealing insights into historical events and political alliances. The inscription references Ahaz, King of Judah, highlighting his role as one of Tiglath-Pileser's vassals. The image transports us to Great Britain where it resides today under the careful preservation efforts at The British Museum. This iconic institution serves as a guardian for countless archaeological treasures that shed light on our shared human history. Through this photograph, Alinari invites us to appreciate not only the craftsmanship but also the significance of this artwork. It reminds us that archaeology is more than just an academic pursuit; it is an opportunity to connect with our ancestors and gain insight into their lives. As we gaze upon this print, we are reminded that art transcends time and place. It allows us to bridge gaps between civilizations long gone while fostering appreciation for cultural heritage worldwide. Let this image serve as a reminder to cherish our collective past and preserve it for future generations – ensuring that these invaluable artifacts continue to inspire awe and wonder for centuries to come.

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