Poster Print : Early phrenology
Poster Prints from Science Photo Library
Early phrenology
Early phrenology. 15th-century woodcut attributed to the German artist Albrecht Durer (1471-1528). It was published in Nuremburg, Germany, in 1498, in a book titled Trilogiam Animae, written by the theologian Lodovicus Pruthenus. The Trilogium Animae is a three-part theological text, mostly concerning the human soul. Parts of the head have been labelled, and it is thought that this is identifying areas of the head responsible for a persons mind and character, a tradition that goes back to the Ancient Greek philosopher Aristotle. Similar ideas would be developed in the late 18th century into the now discredited discipline of phrenology. From The Complete Woodcuts of Albrecht Durer (W. Kurth, 1936)
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6419686
© SHEILA TERRY/SCIENCE PHOTO LIBRARY
1400s 15th Century 1936 Albrecht Durer Aristotle Belief Durer German Label Labelled Labels Mystical Mysticism Patient Phrenology Renaissance Superstition Theological Theology Wood Cut 1498 Mono Chrome Phrenological
A2 (59.4 x 42cm) Poster Print
Step back in time with our captivating Early Phrenology Poster Print from Media Storehouse. This intriguing piece, attributed to the renowned artist Albrecht Dürer, is a 15th-century woodcut that originally appeared in a Nuremberg, Germany, publication titled Trilogiam Animae in 1498. This Early Phrenology print is a fascinating glimpse into historical medical practices, showcasing the belief in mapping the mind through the study of bumps and depressions on the skull. Bring a touch of history and intrigue to your home or office décor with this unique and thought-provoking addition to your collection.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 56cm (16.5" x 22")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print takes us back in time to the 15th century, showcasing an early form of phrenology. Created by renowned German artist Albrecht Durer, this woodcut is attributed to his exceptional talent. Published in Nuremberg, Germany in 1498 as part of Lodovicus Pruthenus' theological text titled Trilogiam Animae, it delves into the depths of the human soul. The woodcut depicts a male figure with various parts of his head labeled, indicating the belief that specific areas are responsible for one's mind and character. This ancient tradition can be traced back to Aristotle's teachings. Although these ideas would later evolve into the discredited discipline of phrenology during the late 18th century, this artwork serves as a historical testament to humanity's fascination with understanding ourselves. With its mystical aura and intricate details, this illustration captures both curiosity and superstition prevalent during that era. The monochrome presentation adds depth and intensity to every line etched by Durer's skilled hand. As we gaze upon this mesmerizing piece from "The Complete Woodcuts of Albrecht Durer" by W. Kurth (1936), we are transported through time—exploring not only medical history but also theological beliefs intertwined with artistry. It stands as a reminder that our quest for knowledge has always been intricately linked with our desire to understand what makes us uniquely human.
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