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Poster Print : Ursins, Marie-Anne de la Tremoille, princesse des

Ursins, Marie-Anne de la Tremoille, princesse des



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Ursins, Marie-Anne de la Tremoille, princesse des

Ursins, Marie-Anne de la Tremoille, princesse des (1642-1722). Lady of the Spanish court, was the daughter of the duc de Noirmoutier and his wife Ren饠 Julie Aubri. Attributed to Nicolas de Largilli貥 (1656-1746). Oil on canvas. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Castle of Serrant

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14184272

© BeBa/Iberfoto/Mary Evans

1642 1656 1722 1746 Angers Anne Attributed Feminine Julie Loire Maine Marie Nicolas Paintings Pays Princesse Renee Ursins Largilliere Noirmoutier Persons Tremoille


A2 (59.4 x 42cm) Poster Print

Introducing the exquisite Marie-Anne de la Tremoille poster print from the Media Storehouse collection. This captivating image, brought to you by Rights Managed from Mary Evans Prints Online, showcases the elegant and enchanting portrait of Marie-Anne de la Tremoille, Princess des Ursins (1642-1722). Daughter of the duc de Noirmoutier and his wife Renée Julie Aubri, Marie-Anne was a prominent figure at the Spanish court. Her regal beauty and poised demeanor are beautifully captured in this timeless piece. Adorn your walls with this stunning work of art and transport yourself back in time to the opulence and grandeur of the Spanish court. A perfect addition to any art collection or historical decor, this poster print is sure to impress.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 54.1cm x 42cm (21.3" x 16.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > Nicolas de Largilliere

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > France > Angers

> Europe > France > Canton > Loire

> Europe > France > Canton > Maine

> Europe > France > Paintings

> Europe > Spain > Castles


EDITORS COMMENTS
Marie-Anne de la Tremoille, Princesse des Ursins (1642-1722): A Regal Portrait from the Castle of Serrant, Maine-et-Loire, France This exquisite oil on canvas portrait depicts Marie-Anne de la Tremoille, Princesse des Ursins, a prominent figure at the Spanish court during the late 17th century. Born in France as the daughter of the Duc de Noirmoutier and his wife Renée Julie Aubri, Marie-Anne's aristocratic lineage is evident in her poised and refined demeanor. The portrait, attributed to the renowned French painter Nicolas de Largillière (1656-1746), showcases the artist's mastery of color and light. Marie-Anne's richly textured gown, adorned with intricate patterns and shimmering gold accents, is rendered in meticulous detail. Her expressive eyes, framed by long, dark lashes, convey a sense of intelligence and confidence. The portrait was painted during Marie-Anne's time at the Spanish court, where she gained a reputation for her beauty, wit, and political acumen. The portrait's horizontal composition emphasizes the subject's regal presence and underscores her status as a woman of great importance. This portrait is a testament to the artistic prowess of Nicolas de Largillière and the enduring allure of the French aristocracy during the Age of Absolutism. It is a reminder of a bygone era, when the lives of the elite were shaped by power, politics, and the pursuit of beauty.

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