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Glass Frame : Ursins, Marie-Anne de la Tremoille, princesse des
Mounted Prints from Mary Evans Picture Library
Ursins, Marie-Anne de la Tremoille, princesse des
Ursins, Marie-Anne de la Tremoille, princesse des (1642-1722). Lady of the Spanish court, was the daughter of the duc de Noirmoutier and his wife Ren饠 Julie Aubri. Attributed to Nicolas de Largilli貥 (1656-1746). Oil on canvas. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Castle of Serrant
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Media ID 14184272
© BeBa/Iberfoto/Mary Evans
1642 1656 1722 1746 Angers Anne Attributed Feminine Julie Loire Maine Marie Nicolas Paintings Pays Princesse Renee Ursins Largilliere Noirmoutier Persons Tremoille
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Marie-Anne de la Tremoille, Princesse des Ursins (1642-1722): A Regal Portrait from the Castle of Serrant, Maine-et-Loire, France This exquisite oil on canvas portrait depicts Marie-Anne de la Tremoille, Princesse des Ursins, a prominent figure at the Spanish court during the late 17th century. Born in France as the daughter of the Duc de Noirmoutier and his wife Renée Julie Aubri, Marie-Anne's aristocratic lineage is evident in her poised and refined demeanor. The portrait, attributed to the renowned French painter Nicolas de Largillière (1656-1746), showcases the artist's mastery of color and light. Marie-Anne's richly textured gown, adorned with intricate patterns and shimmering gold accents, is rendered in meticulous detail. Her expressive eyes, framed by long, dark lashes, convey a sense of intelligence and confidence. The portrait was painted during Marie-Anne's time at the Spanish court, where she gained a reputation for her beauty, wit, and political acumen. The portrait's horizontal composition emphasizes the subject's regal presence and underscores her status as a woman of great importance. This portrait is a testament to the artistic prowess of Nicolas de Largillière and the enduring allure of the French aristocracy during the Age of Absolutism. It is a reminder of a bygone era, when the lives of the elite were shaped by power, politics, and the pursuit of beauty.
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