Poster Print > Animals > Mammals > Lorisidae > Kayan
Poster Print : Kayan people, Cassay cavalry and Birman peasant
Poster Prints from Mary Evans Picture Library
Kayan people, Cassay cavalry and Birman peasant
Man and woman of the Kayan mountain tribe, Cassay elite cavalryman of the Burmese imperial guard, and Birman peasant with sword and shield. Adapted from Michael Symes Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844
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Media ID 23173780
© Florilegius/Mary Evans
Birman Cavalry Elite Ferrario Giulio Guard Karen Kayan Lance Michael Peasant Shield Symes
A2 (59.4 x 42cm) Poster Print
Discover the rich cultural heritage of Myanmar through our exquisite selection of Media Storehouse Poster Prints. Featuring stunning, rights-managed images from Mary Evans Prints Online, these prints transport you to a bygone era. Witness the ethereal beauty of the Kayan people with their distinctive coils and intricate jewelry. Marvel at the grandeur of the Cassay cavalryman, an elite member of the Burmese imperial guard. And, experience the resilience of the Birman peasant, proudly holding his sword and shield. Each print is a captivating work of art, perfect for adding depth and character to your walls. Bring history into your home with Media Storehouse Poster Prints.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 59.4cm x 36.2cm (23.4" x 14.3")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image, drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, published in Florence, Italy, in 1844, offers a glimpse into the diverse cultural landscape of Myanmar during the 19th century. The scene comprises three distinct figures: two members of the Kayan mountain tribe, a man and a woman, and a Cassay elite cavalryman of the Burmese imperial guard. The Kayan man and woman are depicted in their traditional attire. The woman wears a long, pleated skirt made of dark fabric, adorned with intricate silver rings and brass coils encircling her neck and chest. Her hair is styled in long, braided locks, and she carries a basket on her back. The man wears a short, white loincloth, and his body is adorned with tattoos. He carries a bow and arrows, emblematic of his status as a hunter and warrior. The Cassay cavalryman, a member of the Burmese imperial guard, is shown in his resplendent armor. He rides a horse, brandishing a long lance with a colorful pennon. His helmet is adorned with feathers and precious stones, and his chest is covered in intricate, gold-embroidered armor. A Birman peasant, dressed in a simple cotton tunic and trousers, completes the scene. He carries a shield and a sword, suggesting his role as a protector of his community. The Birman peasant's attire stands in stark contrast to the elaborate costumes of the Kayan and Cassay figures, highlighting the social and economic disparities that existed in Myanmar during this period. This handcoloured copperplate drawing, based on Michael Symes' Account of an Embassy to the Kingdom of Ava, provides a fascinating window into the rich cultural heritage of Myanmar, showcasing the diverse array of peoples and traditions that coexisted within its borders.
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