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Poster Print : Mans Last Pretence of Consummation in Indifference
Poster Prints From Mary Evans Picture Library
Mans Last Pretence of Consummation in Indifference
Mans Last Pretence of Consummation in Indifference. Simms, Charles 1873-1928
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 13100519
© National Museums NI / MARY EVANS
Indifference Last Pretence Simms
A2 (59.4 x 42cm) Poster Print
Introducing the captivating "Mans Last Pretence of Consummation in Indifference" poster print from our Media Storehouse collection, brought to you in partnership with Mary Evans Prints Online. This evocative artwork, created by the talented Charles Simms in 1873, masterfully captures the essence of a moment steeped in introspection and longing. The intricate brushstrokes and rich colors of this timeless masterpiece invite viewers to ponder the depth of human emotion and the complexities of relationships. Display this beautiful print in your home or office to ignite conversation and inspire reflection. With its striking image and high-quality print, this poster is sure to become a cherished addition to your space. Experience the power of art with Media Storehouse.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 55.3cm (16.5" x 21.8")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Mans Last Pretence of Consummation in Indifference" is a captivating oil painting created by the British artist Charles Simms in 1873. This masterpiece, brimming with symbolism and emotional depth, is a testament to Simms' exceptional artistic talent and his ability to evoke complex human emotions through his art. The painting depicts a man and a woman lying on a bed, their bodies entwined in a pose that suggests a consummated relationship. However, their expressions and body language betray a sense of indifference and detachment. The man's gaze is fixed on the ceiling, his face devoid of emotion, while the woman's eyes are closed, her expression inscrutable. The room is dimly lit, with only a single candle casting a warm, flickering glow over the scene. The title of the painting, "Mans Last Pretence of Consummation in Indifference," hints at the underlying theme of disillusionment and the emptiness that can follow the act of physical intimacy. The use of muted colors and the rough texture of the paper and board on which the painting is mounted add to the sense of melancholy and introspection. Charles Simms was a renowned British painter of the late Victorian and Edwardian eras, known for his evocative depictions of human emotions and relationships. This painting, in particular, showcases his ability to capture the complexities of human emotion and the fragility of relationships. It is a poignant reminder that even in the most intimate moments, there can be a sense of detachment and indifference that can leave us feeling lost and alone. Overall, "Mans Last Pretence of Consummation in Indifference" is a hauntingly beautiful painting that invites the viewer to reflect on the complexities of human relationships and the emotions that lie beneath the surface. It is a must-see for anyone interested in the history of art and the human condition.
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