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Poster Print : Vendel. Jules. 34 (ou 33) ans, ne le 2 / 4 / 61 a Chevry (Ain)

Vendel. Jules. 34 (ou 33) ans, ne le 2  /  4  /  61 a Chevry (Ain)



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Vendel. Jules. 34 (ou 33) ans, ne le 2 / 4 / 61 a Chevry (Ain)

Vendel. Jules. 34 (ou 33) ans, ne le 2/4/61 a Chevry (Ain). Garcon de cuisine. Anarchiste. 2/7/94. 1894

Heritage Images features heritage image collections

Media ID 20137204

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


A2 (59.4 x 42cm) Poster Print

Bring a touch of historical intrigue to your walls with the Media Storehouse range of poster prints. Featuring the captivating image of Jules Vendel, a 34-year-old anarchist kitchen boy, born on February 2, 1894, in Chevry (Ain), France. This vintage photograph, taken by renowned French anthropologist Alphonse Bertillon in 1894, offers a glimpse into the past and adds character to any space. With exceptional print quality, these poster prints are perfect for those who appreciate history and the unique stories they tell. Add one to your collection today and let the conversation begin.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 42cm x 55.4cm (16.5" x 21.8")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Ain

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Vendel. Jules. 34 (ou 33) ans, ne le 2/4/61 a Chevry (Ain)" captures the essence of a man named Jules Vendel in his early thirties during the late 19th century. The image is an albumen silver print taken by Alphonse Bertillon, a renowned French anthropologist and pioneer in criminal identification. Jules Vendel, depicted as a kitchen porter or garcon de cuisine, exudes an air of mystery with his piercing gaze and rugged appearance. However, it is not just his occupation that defines him; he proudly identifies himself as an anarchist - a political ideology that challenges established authority. The photograph serves as more than just a mug shot; it represents the intersection of science and art through Bertillon's innovative techniques in physical anthropology. By capturing precise measurements of various body parts, such as the head and limbs, Bertillon aimed to create a foolproof system for identifying criminals based on their unique physical characteristics. As we delve into this historical artifact from France's past, we are reminded of the significance of photography in documenting our collective heritage. This thought-provoking portrait invites us to ponder upon questions surrounding identity, crime prevention methods employed during that era, and broader socio-political movements like anarchism. Displayed at The Metropolitan Museum of Art today under its vast collection of cultural treasures from around the world, this photograph stands as both

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