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Fine Art Print : Vendel. Jules. 34 (ou 33) ans, ne le 2 / 4 / 61 a Chevry (Ain)

Vendel. Jules. 34 (ou 33) ans, ne le 2  /  4  /  61 a Chevry (Ain)



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Vendel. Jules. 34 (ou 33) ans, ne le 2 / 4 / 61 a Chevry (Ain)

Vendel. Jules. 34 (ou 33) ans, ne le 2/4/61 a Chevry (Ain). Garcon de cuisine. Anarchiste. 2/7/94. 1894

Heritage Images features heritage image collections

Media ID 20137204

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


A2 (42x59cm) Fine Art Print

Discover the captivating vintage portrait of Jules Vendel by Alphonse Bertillon, now available as a Fine Art Print from Media Storehouse. Taken in 1894, this timeless image captures the essence of a young man, aged 34 (or 33), born on February 2nd, 4th, or 61st, in Chevry, Ain. Known as a kitchen boy and an anarchist, Jules' intense gaze and expressive features transport us back in time. Bring this historical photograph into your home and add a unique touch to your decor with our museum-quality Fine Art Prints, expertly printed on premium paper for lasting beauty and vibrancy.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 42cm x 55.4cm (16.5" x 21.8")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Ain

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Vendel. Jules. 34 (ou 33) ans, ne le 2/4/61 a Chevry (Ain)" captures the essence of a man named Jules Vendel in his early thirties during the late 19th century. The image is an albumen silver print taken by Alphonse Bertillon, a renowned French anthropologist and pioneer in criminal identification. Jules Vendel, depicted as a kitchen porter or garcon de cuisine, exudes an air of mystery with his piercing gaze and rugged appearance. However, it is not just his occupation that defines him; he proudly identifies himself as an anarchist - a political ideology that challenges established authority. The photograph serves as more than just a mug shot; it represents the intersection of science and art through Bertillon's innovative techniques in physical anthropology. By capturing precise measurements of various body parts, such as the head and limbs, Bertillon aimed to create a foolproof system for identifying criminals based on their unique physical characteristics. As we delve into this historical artifact from France's past, we are reminded of the significance of photography in documenting our collective heritage. This thought-provoking portrait invites us to ponder upon questions surrounding identity, crime prevention methods employed during that era, and broader socio-political movements like anarchism. Displayed at The Metropolitan Museum of Art today under its vast collection of cultural treasures from around the world, this photograph stands as both

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