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Poster Print : I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Artist: John William Waterhouse



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I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Illustration of Tennysons poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving. Beside her is the window she will look through and fall in love with Sir Lancelot. She will die of a broken heart because her love is not returned

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Media ID 14847844

© Ann Ronan Picture Library / Heritage-Images

1st Baron Tennyson Alfred Alfred Lord Alfred Lord Tennyson Alfred Tennyson Arthurian Baron Tennyson Bored Boredom Distracted John William John William Waterhouse Legend Legendary Lord Tennyson Poem Tennyson Waterhouse Ann Ronan Pictures Lady Of Shalott


A2 (59.4 x 42cm) Poster Print

Introducing the Media Storehouse collection of Poster Prints featuring the captivating artwork "I am half sick of shadows, c1911" by John William Waterhouse. Based on Alfred Lord Tennyson's poem of the Arthurian legend, this masterpiece showcases the Lady of Shalott, weary of her monotonous weaving and longing for a glimpse of the outside world. John William Waterhouse's evocative painting, brought to you by Heritage Images, is a timeless piece that transports you to a mythical realm. With its rich colors and intricate details, this poster print is a must-have for art enthusiasts and lovers of the Arthurian legend. Bring the magic of this iconic work into your home or office, and let its captivating beauty inspire and enchant you every day. Order your Media Storehouse "I am half sick of shadows, c1911" Poster Print today!

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 40.7cm x 59.4cm (16" x 23.4")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > Related Images

> Arts > Artists > W > Alfred Waterhouse

> Arts > Artists > W > John William Waterhouse

> Arts > Literature > Illustration

> Arts > Literature

> Europe > United Kingdom > England > Paintings

> Popular Themes > Lady of Shalott


I am half sick of shadows

EDITORS COMMENTS
is a captivating print that brings to life the essence of Tennyson's poem and the Arthurian legend. Created by John William Waterhouse, this illustration depicts the Lady of Shalott in a state of boredom as she sits weaving. The artist skillfully captures her distracted gaze, hinting at her longing for something more than the monotonous task before her. Beside her, a window awaits, symbolizing both escape and danger. It is through this very window that she will catch sight of Sir Lancelot and fall hopelessly in love with him. However, as fate would have it, her love remains unrequited, leading to her tragic demise from a broken heart. The painting exudes an air of melancholy and yearning through its use of color and composition. The vibrant reds contrast with the somber tones surrounding the Lady of Shalott, emphasizing her isolation within this mythical world. Waterhouse's attention to detail transports us back to 20th century England and immerses us in the rich tapestry of Arthurian mythology. Through his brushstrokes, he brings alive not only Tennyson's words but also our own emotions as we witness the lady's struggle between duty and desire. This print serves as a poignant reminder that even legends are not immune to human experiences such as boredom and unrequited love. It invites us to delve into literature and art alike while contemplating our own desires and aspirations beyond mere

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