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Hylas and the Nymphs, 1896, (c1902). Creator: Unknown
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Hylas and the Nymphs, 1896, (c1902). Creator: Unknown
Hylas and the Nymphs, 1896, (c1902). After a painting in the Manchester Art Gallery. Mythological scene showing Hylas being tempted to his death by naked water nymphs surrounded by water lilies. From The Nations Pictures. A selection from the finest modern paintings in the public picture galleries of Great Britain, reproduced in colour. [Cassell and Company Ltd, London, c1902]
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Media ID 15516320
© The Print Collector / Heritage-Images
Artistic Style John William John William Waterhouse Nymph Nymphs Pre Raphaelite Brotherhood Temptation Tempting Water Lilies Water Lily Water Nymph Waterhouse Greek Mythology Hylas Nakedness Nudity
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EDITORS COMMENTS
This print captures the essence of John William Waterhouse's iconic painting, "Hylas and the Nymphs" dating back to 1896. The original artwork, housed in the Manchester Art Gallery, has been beautifully reproduced in color for all art enthusiasts to enjoy. In this mythological scene, we witness Hylas being lured towards his tragic fate by a group of enchanting water nymphs amidst a backdrop of delicate water lilies. The composition exudes an ethereal beauty that is characteristic of the Pre-Raphaelite Brotherhood artistic style prevalent during this period. The image transports us into Greek mythology as we observe Hylas, a young man portrayed with vulnerability and innocence, succumbing to temptation. Surrounding him are these mesmerizing nymphs who embody both allure and danger through their nakedness and graceful presence. Nature plays an integral role in this narrative as well; the river serves as a conduit between reality and fantasy while symbolizing life's unpredictable currents. Meanwhile, vibrant flowers add splashes of color against the serene waterscape. Although created by an unknown artist for "The Nations Pictures" publication around 1902, this print remains timeless in its ability to captivate viewers with its evocative storytelling and exquisite attention to detail. It stands as a testament to British artistry from both the 19th and early 20th centuries while showcasing Waterhouse's mastery within Victorian aesthetics.
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