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Poster Print : Flagellant, 16th century. Artist: Jost Amman

Flagellant, 16th century. Artist: Jost Amman



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Flagellant, 16th century. Artist: Jost Amman

Flagellant, 16th century. Flagellants were members of a sect, known as the Brothers of the Cross, founded in c1260. They whipped themselves until blood ran in order to obtain Gods mercy and to appease his wrath for the sins of mankind. During times of Plague they would process through the streets. The movement reached the peak of its popularity during the Black Death in the late 1340s. Although the Church initially tolerated the flagellants, alarmed by the spread of the movement, Pope Clement VI condemned them as heretics in a bull issued in 1349

Heritage Images features heritage image collections

Media ID 14849253

© Ann Ronan Picture Library / Heritage-Images

Amman Belief Black Death Bubonic Plague Disease Epidemic Fanatic Flagellant Flagellation Jost Jost Amman Justus Amman Pain Plague Scourging Sect Whipping Ann Ronan Pictures Fanaticism Thirteenth Century


A2 (59.4 x 42cm) Poster Print

Experience the rich history of the 16th century with our exquisite poster prints from Media Storehouse. Featuring the haunting image of a Flagellant, created by the renowned artist Jost Amman from Heritage Images, these prints transport you back in time. The Flagellants, members of the Brothers of the Cross, were known for their extreme acts of self-mortification, whipping themselves until they bled in pursuit of God's mercy. Add this captivating piece to your home or office for a thought-provoking conversation starter and a beautiful addition to your decor.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 44.9cm x 42cm (17.7" x 16.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > A > Jost Amman

> Arts > Artists > M > Mercier Mercier

> Arts > Artists > Related Images

> Arts > Portraits > Pop art gallery > Street art portraits

> Popular Themes > Religious Images


EDITORS COMMENTS
This print by Jost Amman depicts a flagellant from the 16th century, shedding light on an intriguing and controversial religious sect known as the Brothers of the Cross. These devout individuals believed that whipping themselves until blood flowed was a means to obtain God's mercy and appease his wrath for mankind's sins. During times of plague, such as the devastating Black Death in the late 1340s, these flagellants would process through the streets. Initially tolerated by the Church, their movement gained immense popularity during this period of epidemic despair. However, alarmed by its rapid spread, Pope Clement VI condemned them as heretics in 1349. Amman's woodcut artistry brings forth vivid imagery of pain and devotion within this medieval context. The color palette chosen adds depth to this portrayal of religious fanaticism amidst a backdrop of suffering caused by disease. This print serves as a powerful reminder of how belief systems can manifest in extreme practices during times of crisis. It offers us a glimpse into an era where faith intertwined with health concerns and societal unrest. Through Amman's lens, we witness one man’s dedication to his Christian beliefs despite enduring physical torment. As we contemplate this image today, it prompts reflection on historical events shaped by religion and fervent devotion while reminding us that human responses to adversity can take various forms throughout different centuries and cultures.

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