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Poster Print : Christ receiving John's messengers, detail by Betto di Geri and Leonardo di Ser Giovanni, part of the silver altar of the Baptistry of San Giovanni in Florence. Today the work is preserved in the Museum of The Opera del Duomo of S. Maria del Fiore, Florence
Poster Prints from Fondazione Alinari per la Fotografia
Christ receiving John's messengers, detail by Betto di Geri and Leonardo di Ser Giovanni, part of the silver altar of the Baptistry of San Giovanni in Florence. Today the work is preserved in the Museum of The Opera del Duomo of S. Maria del Fiore, Florence
Christ receiving John's messengers, detail by Betto di Geri and Leonardo di Ser Giovanni, part of the silver altar of the Baptistry of San Giovanni in Florence. Today the work is preserved in the Museum of The Opera del Duomo of S. Maria del Fiore, Florence Florence Museum of The Opera del Duomo of S. Maria del Fiore High Relief Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1939 ca.. Date of Artwork:1366-1402 ca.. Artist:Di Geri, Betto, Di Giovanni, Leonardo
Alinari, Fratelli
ACA-F-02574A-0000
Media ID 33108487
© Alinari Archives, Florence
Gothic Jesus Christ Christ Child John The Baptist Life Of Christ Life Of St Of Associations Of A Group Society And Politics Subject
A2 (59.4 x 42cm) Poster Print
"Experience the timeless beauty of Renaissance art with our Media Storehouse Poster Prints. This exquisite piece showcases a detailed image of "Christ receiving John's messengers" from the silver altar of the Baptistry of San Giovanni in Florence. The intricate work, created by Betto di Geri and Leonardo di Ser Giovanni, is a masterpiece of Florentine art. Preserved in the Museum of The Opera del Duomo of S. Maria del Fiore, this artwork is now available as a stunning high-quality poster print, bringing a piece of Florence's rich history into your home or office. Order now and immerse yourself in the world of Renaissance art with Media Storehouse."
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 53cm x 42cm (20.9" x 16.5")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the intricate detail of "Christ receiving John's messengers" a remarkable piece by Betto di Geri and Leonardo di Ser Giovanni. Originally part of the silver altar in the Baptistry of San Giovanni in Florence, this artwork now finds its home in the Museum of The Opera del Duomo of S. Maria del Fiore. The high relief sculpture, created during the Late Gothic period between 1366 and 1402, transports viewers back to the Middle Ages in Europe. It captures a significant moment from the life of Christ as he receives messengers sent by John the Baptist. The scene is filled with an aura of anticipation and reverence. The composition skillfully portrays various individuals gathered around Christ, each conveying their unique emotions and expressions. This diverse group represents different aspects of society and politics during that time, providing valuable insights into medieval culture. The craftsmanship exhibited here exemplifies both Gothic artistry and technical mastery. Every intricate detail is meticulously carved, showcasing Di Geri's and Di Giovanni's exceptional talent as artists. As we delve deeper into this photograph taken around 1939, it serves as a bridge connecting two distinct periods: one when this masterpiece was crafted centuries ago, and another when it was captured on film almost four hundred years later. Through Alinari's lens, we are granted an opportunity to appreciate not only this specific artwork but also its historical context within Christianity. This mesmerizing image invites us to explore themes from biblical narratives such as Jesus' life as well as his relationship with John the Baptist—a subject rich with symbolism throughout art history. In conclusion, Alinari has masterfully preserved this extraordinary work for generations to come—allowing us all to marvel at its beauty while contemplating its significance within religious iconography.
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