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Poster Print : Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Poster Prints from Fondazione Alinari per la Fotografia
Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0062
Media ID 33187621
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
A2 (59.4 x 42cm) Poster Print
Step back in time with our vintage poster print from Media Storehouse, featuring an intricately detailed engraving of Acadia and the provinces of Sagadahoc and Maine, New Hampshire, Rhode Island, and part of Massachusetts and Connecticut. This beautiful, historically significant print is taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, as seen in this exquisite example from Alinari's private collection. Add an air of old-world charm to any room with this captivating, large-format poster print.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 53.9cm x 42cm (21.2" x 16.5")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Acadia, the Provinces of Sagadahoc and Maine, New Hampshire, Rhode Island and part of Massachusetts and Connecticut". Created by the talented artist G. Zuliani in 1778, this masterpiece was published in Venice as part of Antonio Zatta's renowned "Newest Atlas". The artwork itself is a testament to the Renaissance-Baroque styles that dominated Europe during the eighteenth century. Its intricate details and precise craftsmanship transport us back in time to an era when cartography was both a science and an art form. As we delve into this enchanting piece, we are immediately struck by its allegorical nature. The map not only serves as a geographical or topographical representation but also conveys abstract concepts and symbols that were significant during that period. The depiction of Acadia alongside other provinces such as Sagadahoc, Maine, New Hampshire, Rhode Island, Massachusetts, and Connecticut offers a comprehensive view of the region's territorial boundaries at that time. It becomes evident how crucial maps were as instruments for communication and documentation centuries ago. The sea surrounding these landmasses adds another layer of depth to the composition. It reminds us of the importance of maritime exploration during this epoch when nations sought new territories across vast oceans. This particular photograph was taken in 2009 from a private collection in Florence. Its juxtaposition with modern technology highlights our ongoing fascination with historical artifacts like this engraving by G. Zuliani. In conclusion, this extraordinary print captures not only a remarkable work of art but also represents an important chapter in cartographic history. Through its blend of artistic expression and scientific accuracy, it continues to captivate viewers today just as it did over two centuries ago.
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