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Postcard : No Vi. lights white paper out washes hints concerning
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No Vi. lights white paper out washes hints concerning
No. Vi. The lights or white paper are taken out by washes, A few hints concerning landscape sketches, ca. 1810, Humphry Repton architecture and landscape designs, 1807-1813, Repton, Humphry, 1752-1818, Pencil, ink and wash on paper, ca. 1810, Page, 15, of unpublished manuscript. Cover title Reptons landscape sketches
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18503272
© Liszt Collection
1752 1818 1807 1813 1810 Cover Title Humphry Humphry Repton Landscape Designs Lights Page Pencil Repton Sketches Washes White Paper
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable piece of art titled "No Vi. lights white paper out washes hints concerning". Created around 1810 by the talented Humphry Repton, this artwork is part of his renowned architecture and landscape designs collection from 1807-1813. The image captures a page from an unpublished manuscript, specifically page 15, which features Repton's exquisite pencil, ink, and wash on paper sketches. The title on the cover reads "Reptons landscape sketches" adding an air of mystery to this hidden gem. Intriguingly, the artist skillfully removes any trace of artificial lighting or white paper through delicate washes. This technique allows us to immerse ourselves in the enchanting world depicted within these landscapes. Each stroke tells a story as we explore Repton's vision for harmonizing nature with architectural design. As we delve into these hints concerning landscape sketches, we are transported back in time to witness Repton's creative process unfold before our eyes. His meticulous attention to detail and profound understanding of both natural beauty and man-made structures shine through each composition. While it remains unclear why this manuscript was left unpublished or what purpose it served beyond personal exploration for Repton himself, its discovery offers us a rare glimpse into the mind of one of history's most influential landscape architects.
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