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Greetings Card : No Vi. lights white paper out washes hints concerning
Cards from Liszt Collection
No Vi. lights white paper out washes hints concerning
No. Vi. The lights or white paper are taken out by washes, A few hints concerning landscape sketches, ca. 1810, Humphry Repton architecture and landscape designs, 1807-1813, Repton, Humphry, 1752-1818, Pencil, ink and wash on paper, ca. 1810, Page, 15, of unpublished manuscript. Cover title Reptons landscape sketches
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18503272
© Liszt Collection
1752 1818 1807 1813 1810 Cover Title Humphry Humphry Repton Landscape Designs Lights Page Pencil Repton Sketches Washes White Paper
Greetings Card (A5)
Experience the timeless beauty of the past with our selection from the Liszt Collection. Our No. Vi. Greetings Cards showcase exquisite watercolor sketches of landscapes, inspired by the works of Humphry Repton from around 1810. The soft washes of light and white paper create an ethereal effect, transporting you back in time. These cards also feature hints of Repton's iconic architecture and landscape designs from 1807-1813. Perfect for expressing a thoughtful message, our No. Vi. Greetings Cards are a beautiful way to connect with the past and add a touch of elegance to any occasion.
Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 14.5cm (8.3" x 5.7")
Estimated Product Size is 21cm x 29cm (8.3" x 11.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable piece of art titled "No Vi. lights white paper out washes hints concerning". Created around 1810 by the talented Humphry Repton, this artwork is part of his renowned architecture and landscape designs collection from 1807-1813. The image captures a page from an unpublished manuscript, specifically page 15, which features Repton's exquisite pencil, ink, and wash on paper sketches. The title on the cover reads "Reptons landscape sketches" adding an air of mystery to this hidden gem. Intriguingly, the artist skillfully removes any trace of artificial lighting or white paper through delicate washes. This technique allows us to immerse ourselves in the enchanting world depicted within these landscapes. Each stroke tells a story as we explore Repton's vision for harmonizing nature with architectural design. As we delve into these hints concerning landscape sketches, we are transported back in time to witness Repton's creative process unfold before our eyes. His meticulous attention to detail and profound understanding of both natural beauty and man-made structures shine through each composition. While it remains unclear why this manuscript was left unpublished or what purpose it served beyond personal exploration for Repton himself, its discovery offers us a rare glimpse into the mind of one of history's most influential landscape architects.
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