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Postcard : A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum)
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A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum)
BAL1761 A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum) by Hilliard, Nicholas (1547-1619); 13.5x7.3cm cm; Victoria & Albert Museum, London, UK; (add.info.: possibly of Robert Devereux, 2nd Earl of Essex; Queens colours of black and white; motto Dat poenas laudata fides; " Praised faith gives wounds (or pains); ); English, out of copyright
Media ID 12741830
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Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "A Young Man Leaning Against a Tree Among Roses" by Nicholas Hilliard transports us back to the Elizabethan era. The image showcases a young man, possibly Robert Devereux, 2nd Earl of Essex, leaning casually against a tree adorned with beautiful roses. The bodycolour on vellum technique used in this artwork adds an exquisite touch to the overall composition. The delicate brushstrokes and vibrant colors bring life to every detail, from the intricate patterns on his clothing to the lush petals of the roses surrounding him. The young man's attire reflects Queen Elizabeth I's colors of black and white, while his motto "Dat poenas laudata fides" translates to "Praised faith gives wounds (or pains)". This enigmatic phrase adds depth and intrigue to his character. Displayed at the Victoria & Albert Museum in London, this portrait captures both the elegance and complexity of its subject. It serves as a testament to Hilliard's exceptional talent as one of England's most renowned miniaturists during that period. As we gaze upon this print, we are transported into an era filled with courtly romance and poetic charm. It is a reminder that art has the power not only to capture history but also evoke emotions and transport us across time.
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