Glass Frame > Fine Art Finder > Men Up To 16th Century
Glass Frame : A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum)
Mounted Prints from Fine Art Finder
A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum)
BAL1761 A Young Man Leaning Against a Tree Among Roses (bodycolour on vellum) by Hilliard, Nicholas (1547-1619); 13.5x7.3cm cm; Victoria & Albert Museum, London, UK; (add.info.: possibly of Robert Devereux, 2nd Earl of Essex; Queens colours of black and white; motto Dat poenas laudata fides; " Praised faith gives wounds (or pains); ); English, out of copyright
Media ID 12741830
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7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "A Young Man Leaning Against a Tree Among Roses" by Nicholas Hilliard transports us back to the Elizabethan era. The image showcases a young man, possibly Robert Devereux, 2nd Earl of Essex, leaning casually against a tree adorned with beautiful roses. The bodycolour on vellum technique used in this artwork adds an exquisite touch to the overall composition. The delicate brushstrokes and vibrant colors bring life to every detail, from the intricate patterns on his clothing to the lush petals of the roses surrounding him. The young man's attire reflects Queen Elizabeth I's colors of black and white, while his motto "Dat poenas laudata fides" translates to "Praised faith gives wounds (or pains)". This enigmatic phrase adds depth and intrigue to his character. Displayed at the Victoria & Albert Museum in London, this portrait captures both the elegance and complexity of its subject. It serves as a testament to Hilliard's exceptional talent as one of England's most renowned miniaturists during that period. As we gaze upon this print, we are transported into an era filled with courtly romance and poetic charm. It is a reminder that art has the power not only to capture history but also evoke emotions and transport us across time.
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