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Postcard : The Earl of Shrewsburys Groom Holding a Hunter, c. 1800 (oil on canvas)
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The Earl of Shrewsburys Groom Holding a Hunter, c. 1800 (oil on canvas)
XYC249792 The Earl of Shrewsburys Groom Holding a Hunter, c.1800 (oil on canvas) by Chalon, Henry Bernard (1770-1849); 101.6x127 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12771027
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Estate Reins Saddle Shrewsbury Cropped Tail Regency
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
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Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
The Earl of Shrewsbury's Groom Holding a Hunter, c. 1800
EDITORS COMMENTS
captures the essence of English countryside elegance during the Regency era. Painted by Henry Bernard Chalon, this oil on canvas masterpiece measures 101.6x127 cm and is now housed in the prestigious Yale Center for British Art. In this exquisite portrait, we see a male groom proudly holding a magnificent hunter horse while standing against a backdrop of lush green landscape. The groom's attire reflects his role as an esteemed member of the Earl's household, with his saddle and reins expertly held in hand. The composition exudes tranquility and harmony between man and beast, showcasing their deep bond forged through years spent together on the Shrewsbury estate. A loyal dog stands faithfully at their side, adding to the idyllic scene. Notably, the cropped tail of the hunter hints at its participation in equestrian sport or hunting pursuits commonly enjoyed by aristocrats during that time period. It serves as a symbol of both status and leisure. Chalon's attention to detail is evident throughout every brushstroke; from capturing the grandeur of the country house in the distance to highlighting every strand of hair on both man and animal alike. This print transports us back to an era where rural estates were synonymous with sophistication and leisurely pursuits – truly encapsulating all that was quintessentially English about Georgian society.
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