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Mouse Mat : French Revolution 1789. Suppression of religious orders: a Capuchin Friar disposing
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French Revolution 1789. Suppression of religious orders: a Capuchin Friar disposing
French Revolution 1789. Suppression of religious orders: a Capuchin Friar disposing of his habit to a Jewish second-hand clothes dealer. 18th century coloured engraving. Carnavalet, Paris
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Media ID 9764493
© Universal History Archive/Universal Images Group
1789 18th Century Clothes Coloured Dealer Friar Habit Jewish Orders Paris Revolution State Capuchin Carnavalet Disposing Second Hand Suppression
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 21.8cm (10" x 8.6")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This 18th-century coloured engraving from the Carnavalet Museum in Paris transports us back to a pivotal moment in history - the French Revolution of 1789. The image depicts an intense scene during the suppression of religious orders, where a Capuchin Friar is seen parting ways with his habit. What makes this exchange even more intriguing is that he is handing it over to a Jewish second-hand clothes dealer. In this single frame, we witness the collision of two worlds and ideologies. The revolutionaries' fervor for secularism clashed with centuries-old religious traditions, resulting in dramatic shifts within society. This print serves as a poignant reminder of how deeply entrenched religion was in every aspect of life at that time. The expressions on both figures' faces speak volumes about their respective predicaments. The Capuchin Friar's face reflects resignation and perhaps even sorrow as he relinquishes his sacred garment, symbolizing not only his personal sacrifice but also the dismantling of religious institutions across France. On the other hand, the Jewish second-hand clothes dealer appears stoic yet intrigued by this unexpected transaction, highlighting how people from diverse backgrounds were affected by these tumultuous times. As we gaze upon this historical artifact captured through vibrant colours and intricate engravings, we are reminded that history is never black and white; it unfolds through countless shades and perspectives. It prompts us to reflect on how societal transformations can bring unlikely alliances while simultaneously upending long-standing traditions – forever altering our collective narrative.
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