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King Charles II hiding up an oak tree in Boscobel
King Charles II hiding up an oak tree in Boscobel Wood, after the Battle of Worcester, 1651. Parliamentarian or Roundhead soldier interrogate a local Royalist family. The Royal Oak. The Penderell Family have no idea where Charles is! Handcoloured steel engraving after an illustration by John Leech from Gilbert Abbott A Becketts Comic History of England, Bradbury, Agnew & Co. London, 1880
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Media ID 23388418
© Florilegius
1660 Abbott Abeckett Ball Boscobel Comical Courtesans Gilbert Hiding Humor Leech Restoration Tobacco Wild Fops Games
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.6cm x 25.4cm (6.1" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
King Charles II's Hideaway in Boscobel Wood: A Moment of Respite Before the Restoration This handcoloured steel engraving, created by John Leech in 1880, depicts a pivotal moment in English history - King Charles II's hiding place in Boscobel Wood after the Battle of Worcester in 1651. The image showcases the Parliamentarian or Roundhead soldiers interrogating the Penderell family, who were unsuspecting Royalists, in their home. The King, however, was hidden in an oak tree nearby, unbeknownst to his inquisitors. The scene is set against a backdrop of a wild and lively dance party. The room is filled with merriment, as people enjoy music, card games, tobacco, smoking, and drinking. The atmosphere is light-hearted and carefree, a stark contrast to the political turmoil outside. The courtesans and fops add an air of sophistication and elegance to the gathering. The engraving, taken from Gilbert Abbott A Beckett's Comic History of England, is a testament to the comical and caricatured nature of historical narratives during the late Victorian era. The handcoloured details bring the image to life, making it a fascinating glimpse into the past. As the evening wears on, King Charles II remains hidden in the oak tree, biding his time before making his way to France and eventually returning to England to restore the monarchy in 1660. This engraving serves as a reminder of the intrigue, suspense, and unexpected twists that marked the tumultuous era of the English Civil War and its aftermath.
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