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Mouse Mat : Reproduction of print showing plan of orchard and garden, between 1915 and 1925. Creator: Frances Benjamin Johnston

Reproduction of print showing plan of orchard and garden, between 1915 and 1925. Creator: Frances Benjamin Johnston



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Reproduction of print showing plan of orchard and garden, between 1915 and 1925. Creator: Frances Benjamin Johnston

Reproduction of print showing plan of orchard and garden, between 1915 and 1925. Photograph of print in "A new orchard and garden", with "The country housewife's garden", by [English cleric and gardening writer] William Lawson, 1618. ('A. All these squares must be set with trees; the gardens and other ornaments must stand in spaces betwixt the trees and in the borders and fences. B. Trees 20 yards asunder. C. Garden knot. D. Kitchen garden. E. Bridge. F. Conduit. G. Staires. H. Walks set with great wood thicke. I. Walkes set with great wood round about your orchard. K. The out-fence L. The out-fence set with stone fruit. M. Mount. To force earth for a mount or such like, set it round with quick, and lay boughs of trees strangely intermingled...with the earth in the middle. N. Stillhouse. O. Good standing for bees, if you have an house. P. If the river runs by your door and under your mount, it will be pleasant')

Heritage Images features heritage image collections

Media ID 36260587

© Heritage Art/Heritage Images

Garden Design Gardening Landscape Gardening Lantern Slide Lantern Slides 1910 1930 Gmgpc Orchard Plan Fb Johnston Frances B Johnston Frances Benjamin Johnston Frances Johnston Johnston Frances Benjamin


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 14.7cm x 25.4cm (5.8" x 10")

Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Charadriiformes > Sandpipers > Great Knot

> Architecture > Country > America

> Architecture > Doors

> Architecture > Drawings

> Architecture > Great Houses

> Arts > Artists > W > William White

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings

> Arts > Realistic drawings > Landscape drawings > Fine art

> North America > United States of America > Related Images


EDITORS COMMENTS
This reproduction of a plan of an orchard and garden, created by renowned American photographer Frances Benjamin Johnston between 1915 and 1925, offers a glimpse into the idyllic world of early 20th-century horticulture. The print is a thoughtful reinterpretation of an older design from "A New Orchard and Garden" by English cleric and gardening writer William Lawson, first published in 1618. The meticulously detailed plan is annotated with various elements of the garden, each denoted by a letter. A series of squares marked 'A' represent the locations for trees, with gardens and ornaments situated in the spaces between. The trees are to be planted 20 yards apart (B). The garden layout includes a 'knot' (C), a kitchen garden (D), a bridge (E), a conduit (F), stairs (G), walks set with great wood (H), and walks set with great wood around the orchard (I). Additional features include a mount (M), which can be created by forcing earth and surrounding it with quick (a type of willow) and boughs of trees. A stillhouse (N) and a good standing for bees (O) are also included if the garden has a house. Lastly, if the river runs by the door and under the mount, it will add to the overall pleasure of the garden (P). This beautiful reproduction not only showcases the timeless allure of gardening but also serves as a testament to the enduring influence of William Lawson's gardening principles, as captured through the lens of Frances Benjamin Johnston.

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