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Parasols for 1795



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Parasols for 1795

Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Heritage Images features heritage image collections

Media ID 14917009

© The Print Collector / Heritage-Images

Emily Morse Emily Morse Symonds Enormous Exaggerated Feather Feathers George Paston Huge Parasol Paston Symonds


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 20.5cm x 25.4cm (8.1" x 10")

Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Fashion


Parasols for 1795 - A Satirical Take on Fashion in the Eighteenth Century

EDITORS COMMENTS
. This print, titled "Parasols for 1795" offers a humorous glimpse into the world of fashion during the eighteenth century. Created by George Paston (pseudonym of Emily Morse Symonds) and published in London in 1905, this illustration is part of a collection called "Social Caricature in the Eighteenth Century". The image showcases an exaggerated scene where men and women are seen strolling through a park, adorned with enormous parasols that seem to defy gravity. The artist's satirical touch becomes evident as he playfully mocks the extravagant fashion trends of the time. Women take center stage, their dresses billowing outwards with layers upon layers of fabric. Their hats are adorned with feathers so large they threaten to topple over at any moment. Meanwhile, men can be seen accompanying these fashionable ladies, equally dressed up but seemingly overshadowed by their female counterparts. Through this whimsical portrayal, Paston highlights both the allure and absurdity surrounding fashion choices during this era. The monochrome palette adds depth to each character's intricate attire while emphasizing their larger-than-life presence. "Parasols for 1795" serves as a reminder that even centuries ago, people found joy in poking fun at societal norms and expressing themselves through satire. This timeless piece continues to captivate viewers today with its clever commentary on fashion culture from long ago.

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