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Mouse Mat : Charles II of England (1630-85) Anamorphosis with loose cylindrical mirror. Creator: Anon

Charles II of England (1630-85) Anamorphosis with loose cylindrical mirror. Creator: Anon



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Charles II of England (1630-85) Anamorphosis with loose cylindrical mirror. Creator: Anon

Charles II of England (1630-85) Anamorphosis with loose cylindrical mirror, Unknown date

Heritage Images features heritage image collections

Media ID 36369274

© Heritage Art/Heritage Images

Charles Ii Charles Ii Of England Cylindrical King Charles Ii King Charles The Second Looking Glass Mirror Anamorphosis


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 25.4cm x 21.1cm (10" x 8.3")

Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > C > King Charles

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Republic of Ireland > Paintings

> Europe > Sweden > Paintings

> Europe > Sweden > Posters

> Europe > Sweden > Related Images

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > Paintings

> People > Royalty > Related Images


EDITORS COMMENTS
This intriguing 17th century artwork, titled "Charles II of England (1630-85) Anamorphosis with Loose Cylindrical Mirror," is an anonymous masterpiece that showcases the innovative use of anamorphic art and a loose cylindrical mirror. The portrait depicts King Charles II of England, also known as Charles II of Great Britain and Ireland or Charles II of Scotland, who ruled from 1660 until his death in 1685. The image is an oil on panel painting that challenges the traditional perspective of portraiture. Anamorphosis is a technique that distorts an image into an unrecognizable form, which can only be viewed correctly through a specific mirror or lens. In this case, the mirror is a loose cylindrical one, adding an element of interactivity and intrigue to the artwork. The portrait is believed to have been created during the Baroque era, a period known for its grandeur and opulence. The use of anamorphosis in this artwork adds a unique and thought-provoking dimension to the already intriguing figure of King Charles II. The painting's exact date and creator remain a mystery, adding to its allure and historical significance. The image is a testament to the artistic ingenuity of the 17th century and the enduring fascination with optical illusions and perspective. The portrait's rich color and intricate details bring the King to life, inviting the viewer to engage with the artwork on a deeper level. The use of a mirror not only adds a layer of mystery but also emphasizes the importance of reflection and introspection, making this anamorphic portrait a truly captivating work of art.

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