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Mouse Mat : A Canton Trading Junk, c. 1868. Creator: John Thomson

A Canton Trading Junk, c. 1868. Creator: John Thomson



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A Canton Trading Junk, c. 1868. Creator: John Thomson

A Canton Trading Junk, c. 1868. A work made of collotype, pl. viii from the album " illustrations of china and its people, volume i" (1873)

Heritage Images features heritage image collections

Media ID 23871655

© Heritage Art/Heritage Images

1873 Canton Canton China Canton China Collotype Guangdong Republic Of China Guangzhou China J Thompson John Thomson Junk Oriental Pearl River Sailing Ships Thomson John Trading Typical Estuary


Mouse Mat

A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 25.4cm x 12.4cm (10" x 4.9")

Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Thomson

> Arts > Artists > W > John White

> Asia > China > Guangzhou

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Europe > United Kingdom > Scotland > Rivers

> Transportation > Ships and Boats


A Canton Trading Junk, c. 1868

EDITORS COMMENTS
is a captivating print captured by John Thomson, a renowned Scottish photographer in the 19th century. This vintage artwork showcases an old-fashioned sailing ship known as a junk, which was commonly used for trade and transportation along the Pearl River in Canton (now Guangzhou), China. The image beautifully captures the essence of traditional Chinese culture and maritime heritage. The sailboat gracefully glides through the calm waters of the estuary, surrounded by picturesque scenery that reflects both the natural beauty of Guangdong province and its bustling trading activities. Thomson's collotype technique adds depth to this historic photograph, emphasizing intricate details such as the unique structure of the junk's sails and hull. The composition transports viewers back in time to witness a typical scene from 19th-century China—a country rich in history and cultural diversity. As we gaze upon this artwork at the Art Institute Chicago, we are reminded of Britain's strong connection with China during this era. It serves as a testament to cross-cultural exchange between nations through trade routes like those established along rivers such as the Pearl River. This piece invites us to appreciate not only Thomson's artistic talent but also his ability to capture moments that bridge geographical boundaries while preserving our collective human heritage.

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