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Mouse Mat : The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving)
Resolution may be poor at this size (50 DPI)
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The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving)
XJF268040 The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving) (b/w photo) by Merry, Tom (c.1852-1902); Private Collection; English, out of copyright
Media ID 12781725
© www.bridgemanart.com
1819 1901 John Brown Scapegoat Victorian Era Queen Victoria
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 25.4cm x 16.9cm (10" x 6.7")
Estimated Product Size is 26.9cm x 21.8cm (10.6" x 8.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "The Scapegrace of the Family" takes us back to the Victorian era, specifically to May 15th, 1886. The engraving by Tom Merry captures a satirical scene filled with political commentary and social satire. In this intriguing portrait, we see a full-length depiction of Queen Victoria's family member known as the scapegoat. The male figure stands proudly outdoors, adorned in an Indian turban and African-inspired attire. Holding a rifle in one hand and wearing a distinctive hat, he represents colonial influence during that time. The artist skillfully incorporates elements of humor and irony into this composition. Through clever symbolism, Merry highlights the complexities of Victorian society by juxtaposing different cultures within one image. This serves as both entertainment for viewers and a critique on societal norms. "The Scapegrace of the Family" challenges traditional notions of power dynamics while shedding light on issues such as imperialism and racial stereotypes prevalent during that period. By including figures from various backgrounds alongside British royalty like Queen Victoria herself, it prompts reflection on cultural diversity within colonial contexts. This remarkable piece invites us to delve deeper into history through artistry's lens—a testament to how visual representations can provoke thought-provoking discussions about our pasts.
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