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Mounted Print : The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving)
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The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving)
XJF268040 The Scapegrace of the Family, from St. Stephens Review 15th May 1886 (engraving) (b/w photo) by Merry, Tom (c.1852-1902); Private Collection; English, out of copyright
Media ID 12781725
© www.bridgemanart.com
1819 1901 John Brown Scapegoat Victorian Era Queen Victoria
10"x8" Mount with 8"x6" Print
Step back in time with our exquisite Mounted Photos from Media Storehouse, featuring this enchanting 19th-century engraving, "The Scapegrace of the Family," from St. Stephens Review 15th May 1886. This captivating image, brought to you by the renowned artist Tom Merry (1852-1902), is now available as a beautifully mounted print, perfect for adding an air of classic charm to any room in your home or office. With its intricate details and timeless appeal, this mounted photo is an excellent addition to any art collection and a wonderful conversation starter. Out of copyright and sourced from the esteemed Fine Art Finder and Bridgeman Art Library, this piece is a must-have for history enthusiasts and art lovers alike.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.3cm x 13.5cm (8" x 5.3")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "The Scapegrace of the Family" takes us back to the Victorian era, specifically to May 15th, 1886. The engraving by Tom Merry captures a satirical scene filled with political commentary and social satire. In this intriguing portrait, we see a full-length depiction of Queen Victoria's family member known as the scapegoat. The male figure stands proudly outdoors, adorned in an Indian turban and African-inspired attire. Holding a rifle in one hand and wearing a distinctive hat, he represents colonial influence during that time. The artist skillfully incorporates elements of humor and irony into this composition. Through clever symbolism, Merry highlights the complexities of Victorian society by juxtaposing different cultures within one image. This serves as both entertainment for viewers and a critique on societal norms. "The Scapegrace of the Family" challenges traditional notions of power dynamics while shedding light on issues such as imperialism and racial stereotypes prevalent during that period. By including figures from various backgrounds alongside British royalty like Queen Victoria herself, it prompts reflection on cultural diversity within colonial contexts. This remarkable piece invites us to delve deeper into history through artistry's lens—a testament to how visual representations can provoke thought-provoking discussions about our pasts.
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