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Mouse Mat : Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
Resolution may be poor at this size (46 DPI)
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Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
XAL55437 Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Duomo, Florence, Italy; (add.info.: monument equestre de Sir John Hawkwood; mercenary who had led Florentine soldiers to victory in the battle of Cascina, 1364; restored in 1524 by Lorenzo di Credi; ); Italian, out of copyright
Media ID 12918797
© www.bridgemanart.com
Fictive Illusory Perspective Plinth Sarcophagus Staff Trompe Loeil
Mouse Mat
A high quality photographic print manufactured into a durable wipe clean mouse mat (27x22cm) with a non slip backing, which works with all mice.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.6cm x 25.4cm (6.1" x 10")
Estimated Product Size is 21.8cm x 26.9cm (8.6" x 10.6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the remarkable Equestrian Monument of Sir John Hawkwood, a masterpiece created by Paolo Uccello in 1436. Originally painted as a fresco on the walls of the Duomo in Florence, Italy, this artwork has been transferred to canvas to preserve its beauty and historical significance. The monument pays tribute to Sir John Hawkwood, a renowned mercenary who led Florentine soldiers to victory in the battle of Cascina in 1364. The equestrian statue portrays him mounted on his noble steed, clad in impressive armor that reflects his status as a knight. The attention to detail is extraordinary - from the intricate design of his helmet and sword to the lifelike depiction of muscles and veins on both horse and rider. Restored by Lorenzo di Credi in 1524, this piece exemplifies Renaissance art with its meticulous use of perspective and trompe l'oeil techniques. The fictive illusion created by Uccello transports viewers back in time, allowing them to witness history through an artistic lens. Standing proudly atop a plinth within an ornate sarcophagus-like structure, Sir John Hawkwood's profile captures both strength and nobility. This print not only serves as a visual delight but also offers insight into Italian art history during this early period. Displayed against a backdrop reminiscent of Renaissance architecture, this image invites us to appreciate the skillful craftsmanship behind one of Florence's most treasured artworks.
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