Fictive Collection

Musician Lady (gouache and w/c on paper)
DND221224 Musician Lady (gouache and w/c on paper) by Indian School; Private Collection; Dinodia

The Chria, c. 1929 (tempera on board) (for detail see 244476)
LIS244475 The Chria, c.1929 (tempera on board) (for detail see 244476) by Burleigh, Averil Mary (1883-1949); diam: 25.4 cm; Private Collection; © Liss Fine Art; English, out of copyright

Frontispiece of Antonio de Nebrijas (1444-1522) Gramatica (vellum)
XJL211264 Frontispiece of Antonio de Nebrijas (1444-1522) Gramatica (vellum) by Spanish School, (16th century); Biblioteca Nacional, Madrid

MS W. 449 fol. 6v May Making Music, c. 1525 (vellum)
WLT219413 MS W.449 fol.6v May Making Music, c.1525 (vellum) by Master Jean de Mauleon (fl.1525); 17x10 cm; Walters Art Museum, Baltimore, USA; French, out of copyright

MS W449 fol. 3v February: Cooking and Feasting, c. 1525 (vellum)
WLT219415 MS W449 fol.3v February: Cooking and Feasting, c.1525 (vellum) by Master Jean de Mauleon (fl.1525); 17x10 cm; Walters Art Museum, Baltimore, USA; French, out of copyright

Christ Appearing to his Mother, c. 1496 (oil on wood)
3700792 Christ Appearing to his Mother, c.1496 (oil on wood) by Juan de Flandes, (c.1465-1519); 63.5x38.1 cm; Metropolitan Museum of Art, New York

Figures preaching, c. 1743 (fresco)
XJL211829 Figures preaching, c.1743 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Gallerie dell Accademia, Venice, Italy; (add.info.: the church of the Scalzi)

View of the frescoes in the Sala dei Gigli, c. 1470 (photo) (post restoration)
BEN177354 View of the frescoes in the Sala dei Gigli, c.1470 (photo) (post restoration) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Palazzo Vecchio (Palazzo della Signoria) Florence

Portrait of Tomaso Masaccio (1401-28) from Vasaris Lives of the Artists
ES251272 Portrait of Tomaso Masaccio (1401-28) from Vasaris Lives of the Artists, first published 1550 (engraving) by Vasari

Nine Studies Moses Santa Maria della Steccata
Artokoloro

Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
XAL55437 Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Duomo, Florence

Drawing of an Imaginary Prison (ink and wash on paper)
XKH155194 Drawing of an Imaginary Prison (ink and wash on paper) by Piranesi, Giovanni Battista (1720-78); 20x27.6 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

Carceri (Prison) IX, 1760 (etching)
XKH154893 Carceri (Prison) IX, 1760 (etching) by Piranesi, Giovanni Battista (1720-78); On Loan to the Hamburg Kunsthalle, Hamburg, Germany; Italian, out of copyright

Isaac and Esau from the High Altar of St. Peters in Hamburg, the Grabower Altar
XKH145280 Isaac and Esau from the High Altar of St. Peters in Hamburg, the Grabower Altar, 1383 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg

Peace Embracing Plenty, 1633-34 (oil on panel)
XYC136252 Peace Embracing Plenty, 1633-34 (oil on panel) by Rubens, Peter Paul (1577-1640); 62.9x47 cm; Yale Center for British Art, Paul Mellon Collection, USA; Paul Mellon Collection; Flemish

Red flying object in the grey sky, 3D computer graphics

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"Fictive: Exploring the Depths of Artistic Imagination" Step into a world where reality intertwines with imagination, as we delve into the captivating realm of "Fictive. " From ancient manuscripts to vibrant frescoes, this collection showcases an array of artistic masterpieces that transport us to different eras and narratives. The Chria, created in 1929 using tempera on board, invites us to unravel its intricate details. Its enigmatic composition leaves room for interpretation, allowing our minds to wander through its mysterious narrative. Antonio de Nebrijas' Gramatica frontispiece on vellum takes us back to the Renaissance period. This beautifully crafted piece not only serves as a visual delight but also symbolizes the importance of language and knowledge during that era. May Making Music from MS W. 449 fol. 6v captures the essence of joyous melodies resonating through time. The delicate strokes on vellum bring forth an enchanting scene filled with harmonious tunes that echo across centuries. In contrast, February: Cooking and Feasting from MS W449 fol. 3v immerses us in culinary delights from another age. The vivid colors and meticulous attention to detail offer a glimpse into lavish feasts enjoyed by our ancestors. Christ Appearing to his Mother is a poignant portrayal rendered in oil on wood dating back to 1496. This emotional depiction evokes empathy as we witness Mary's anguish upon seeing her son's suffering—a testament to art's ability to evoke deep emotions throughout history. Figures preaching depicted in fresco form transports us directly into religious spaces adorned with divine messages from 1743 onwards. These powerful murals serve as reminders of faith and spirituality while showcasing remarkable artistic skill. A breathtaking view awaits within Sala dei Gigli frescoes captured c. 1470 (photo) post restoration—each stroke revealing stories etched onto walls over centuries past; it reminds us how art can transcend time and breathe life into forgotten tales.