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Mounted Print : A Parish Feast, 1741
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A Parish Feast, 1741
A Parish Feast, 1741. Humbly inscribed to the church-wardens, vestrymen, questmen, and Parish officers, by Sr Guzzledown Tearfowl. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917432
© The Print Collector / Heritage-Images
Clergyman Cleric Drinking Eating Emily Morse Emily Morse Symonds Feast George Paston Parish Paston Pouring Symonds Churchwarden
10"x8" Mount with 8"x6" Print
Step back in time with our exquisite mounted photo from the Media Storehouse collection. This captivating image, titled "A Parish Feast, 1741," is an original illustration from Social Caricature in the Eighteenth Century. Depicting a lively parish feast, this vintage print features intriguing details and charming characters, including Sir Guzzledown Tearfowl's humble inscription to the church officials. Add a touch of historical charm to your home or office decor with this unique and authentic mounted photo from the past.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.3cm x 13.4cm (8" x 5.3")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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A Parish Feast, 1741 - A Glimpse into the Ecclesiastical Merriment of the Eighteenth Century
EDITORS COMMENTS
. In this print, we are transported back to a lively scene from 1741. The image captures a vibrant parish feast, an occasion of great significance for the church community. Created by George Paston (pseudonym of Emily Morse Symonds) in 1905, it offers us a delightful glimpse into social caricature during the eighteenth century. The focal point is undoubtedly Sir Guzzledown Tearfowl's humble dedication to the church-wardens, vestrymen, questmen, and Parish officers. As they gather around a lavishly adorned table filled with sumptuous food and drink, their joyous expressions reveal their deep appreciation for this festive event. Amidst the ornate furniture and elegant tableware lies an atmosphere brimming with camaraderie. Men dressed in clerical attire engage in animated conversations while pouring wine for one another. Their occupation as clergymen does not hinder them from indulging in earthly pleasures; rather it strengthens their bond as they partake in both spiritual and worldly nourishment. This print serves as a testament to the importance of communal celebrations within Christianity during that era. It reminds us that even those dedicated to religious duties find solace and rejuvenation through shared moments of feasting and fellowship. As we gaze upon this snapshot frozen in time, we cannot help but be captivated
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