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Mounted Print : Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell

Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell



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Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell

Hindu Fakirs practising their superstitious rites, 19th century. 1) The Great Tree of the Banyans. 2) A pagoda of the idol Mamaniva, on one side of which Devotees are marked on the forehead with vermilion on the other side a Brahman takes their offerings of rice etc. 3) A pagoda of Ram. 4) Another pagoda dedicated to Ram. 5) A pagoda of retirement for the penitential Fakirs. 6) A cavern or close ditch impervious to the least gleam of day, except what passes through a little hole for that purpose, resorted to by a Fakir several times in the year. 7) A Fakir sleeping upon a cord. 8) Fakirs that remain all their lives in the same attitude, living by the charity of female devotees. 9) Several Fakirs consulted and invoked as Saints, by the women. 10) Various postures that some Fakirs are in several hours a day. 11) A Brahman with his nose and mouth muffled up, lest he should swallow the smallest insect in drawing his breath: he likewise sweeps the ground before him as he walks lest he should tread upon any worm or insect. 12) Fakirs warming themselves. 13) A Fakir feeding animals out of pure charity

Heritage Images features heritage image collections

Media ID 14880212

© The Print Collector / Heritage-Images

Bell Bizarre Devotee Exotic Fakir Hindu Hinduism Holy Man Insect Jainism Jungle Pagoda Sadhu Superstition Superstitious Sweeping Weird Yogi Baba Hindoostan Nakedness


14"x12" Mount with 12"x10" Print

Step into the captivating world of 19th century India with our exquisite range of Mounted Photos from Media Storehouse. This collection features two mesmerizing images by the renowned photographer Bell by Bell from Heritage Images. Witness the enigmatic Hindu Fakirs as they engage in their superstitious rites, their devotion and connection to their traditions coming alive through the lens. The first image showcases the Great Tree of the Banyans, a sacred site of pilgrimage, where the Fakirs seek enlightenment. The second image unveils the intricately designed pagoda of the idol Mamaniva, a testament to the rich cultural heritage of India. These Mounted Photos are not just beautiful works of art but also a window into the past, inviting you to explore the depth and diversity of human spirituality.

Printed on 12"x10" paper and suitable for use in a 14"x12" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 29.3cm x 25.4cm (11.5" x 10")

Estimated Product Size is 35.6cm x 30.5cm (14" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Swallows And Martins > Tree Swallow

> Animals > Fishes > S > Swallower

> Animals > Insects > Butterflies > Bagworm

> Animals > Worms > Related Images

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > India > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This print titled "Hindu Fakirs practising their superstitious rites, 19th century" by Bell offers a fascinating glimpse into the religious practices and rituals of Hindu Fakirs during that era. The image showcases various aspects of their daily lives and devotion. The Great Tree of the Banyans stands tall, providing shade and shelter to these devoted individuals. Nearby, a pagoda dedicated to the idol Mamaniva attracts devotees who receive vermilion marks on their foreheads as they make offerings of rice and other items to a Brahman. Intriguingly, another pagoda is dedicated solely to Ram, highlighting the significance of this deity in their beliefs. A separate pagoda serves as a retreat for penitential Fakirs seeking solitude and introspection. One particularly striking scene captures a Fakir inside a cavern or close ditch with only a small hole allowing minimal light to pass through – an austere practice undertaken multiple times each year. Other notable moments include Fakirs sleeping upon cords or assuming specific postures for extended periods. A Brahman can be seen meticulously muffled up while walking so as not to harm any insects inadvertently swallowed while breathing. This same individual also sweeps the ground before him out of respect for all living creatures. Charity plays an essential role in the lives of these Fakirs, exemplified by one photograph depicting them feeding animals selflessly. Throughout this collection, women are shown consulting and invoking several revered Fakirs as saints. Bell's masterful composition transports viewers back in time, offering insight into the rich cultural heritage and spiritual traditions practiced by Hindu Fakirs during the 19th century.

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