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Framed Print : Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell
Framed Photos from Heritage Images
Hindu Fakirs practising their superstitious rites, 19th century. Artist: Bell
Hindu Fakirs practising their superstitious rites, 19th century. 1) The Great Tree of the Banyans. 2) A pagoda of the idol Mamaniva, on one side of which Devotees are marked on the forehead with vermilion on the other side a Brahman takes their offerings of rice etc. 3) A pagoda of Ram. 4) Another pagoda dedicated to Ram. 5) A pagoda of retirement for the penitential Fakirs. 6) A cavern or close ditch impervious to the least gleam of day, except what passes through a little hole for that purpose, resorted to by a Fakir several times in the year. 7) A Fakir sleeping upon a cord. 8) Fakirs that remain all their lives in the same attitude, living by the charity of female devotees. 9) Several Fakirs consulted and invoked as Saints, by the women. 10) Various postures that some Fakirs are in several hours a day. 11) A Brahman with his nose and mouth muffled up, lest he should swallow the smallest insect in drawing his breath: he likewise sweeps the ground before him as he walks lest he should tread upon any worm or insect. 12) Fakirs warming themselves. 13) A Fakir feeding animals out of pure charity
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Media ID 14880212
© The Print Collector / Heritage-Images
Bell Bizarre Devotee Exotic Fakir Hindu Hinduism Holy Man Insect Jainism Jungle Pagoda Sadhu Superstition Superstitious Sweeping Weird Yogi Baba Hindoostan Nakedness
14"x12" (38x32cm) Modern Frame
Step into the captivating world of 19th century India with our exquisite Framed Prints from Media Storehouse. Featuring the evocative artwork "Hindu Fakirs practising their superstitious rites" by Bell, these prints transport you to a time of rich cultural traditions. Discover the intrigue of two distinct scenes: "The Great Tree of the Banyans," where holy men seek enlightenment beneath the sprawling canopy, and "A pagoda of the idol Mamaniva," as devotees pay homage to their deity. Let these stunning works of art bring the history and mystery of India into your home or office.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 21.1cm (9.6" x 8.3")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Hindu Fakirs practising their superstitious rites, 19th century" by Bell offers a fascinating glimpse into the religious practices and rituals of Hindu Fakirs during that era. The image showcases various aspects of their daily lives and devotion. The Great Tree of the Banyans stands tall, providing shade and shelter to these devoted individuals. Nearby, a pagoda dedicated to the idol Mamaniva attracts devotees who receive vermilion marks on their foreheads as they make offerings of rice and other items to a Brahman. Intriguingly, another pagoda is dedicated solely to Ram, highlighting the significance of this deity in their beliefs. A separate pagoda serves as a retreat for penitential Fakirs seeking solitude and introspection. One particularly striking scene captures a Fakir inside a cavern or close ditch with only a small hole allowing minimal light to pass through – an austere practice undertaken multiple times each year. Other notable moments include Fakirs sleeping upon cords or assuming specific postures for extended periods. A Brahman can be seen meticulously muffled up while walking so as not to harm any insects inadvertently swallowed while breathing. This same individual also sweeps the ground before him out of respect for all living creatures. Charity plays an essential role in the lives of these Fakirs, exemplified by one photograph depicting them feeding animals selflessly. Throughout this collection, women are shown consulting and invoking several revered Fakirs as saints. Bell's masterful composition transports viewers back in time, offering insight into the rich cultural heritage and spiritual traditions practiced by Hindu Fakirs during the 19th century.
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