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Mounted Print : Jumbo Head
Mounted Prints from Fine Art Storehouse
Jumbo Head
3rd September 1962: A stuffed elephant's head raising its trunk in the air at Charles Gerrard's north London taxidermy workshop. (Photo by Chris Ware/Keystone Features/Getty Images)
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Chris Ware
Media ID 28365168
Euro Format Square Grotesque Stuffed Animal
14"x12" Mount with 12"x10" Print
Introducing the captivating Jumbo Head mounted photo from Media Storehouse's Fine Art Collection. This evocative image, captured by Chris Ware in 1962, transports you to Charles Gerrard's north London taxidermy workshop. Witness the majestic sight of a stuffed elephant head, its trunk raised proudly in the air. This unique piece of photography art is a must-have for any space seeking to add depth and intrigue. Bring the mystery and wonder of the natural world into your home or office with the Jumbo Head mounted photo from Media Storehouse.
Printed on 12"x10" paper and suitable for use in a 14"x12" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 35.6cm (12" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this intriguing and slightly unsettling photograph captured by Chris Ware, we are transported to the taxidermy workshop of Charles Gerrard in north London on the 3rd of September, 1962. The focal point of the image is a square-format print showcasing a grotesque yet captivating sight - the jumbo head of a stuffed elephant proudly raising its trunk into the air. The sheer size and intricate details of this preserved animal's head command attention, leaving viewers both fascinated and perhaps slightly disturbed. Its lifelike appearance evokes conflicting emotions as we contemplate the beauty and sadness that coexist within taxidermy artistry. Ware's composition skillfully captures not only the physicality but also the essence of this peculiar creature. The play between light and shadow adds depth to every wrinkle, crease, and strand of hair meticulously crafted by Gerrard himself. This photograph serves as a testament to Europe's rich history in taxidermy while simultaneously challenging our perceptions about humanity's relationship with animals. It invites us to reflect upon our fascination with preserving life after death, blurring boundaries between natural science, artistry, and even morbidity. As we gaze upon this striking image from Fine Art Storehouse, it becomes evident that Chris Ware has masterfully encapsulated an enigmatic moment frozen in time – one that provokes contemplation about our own existence alongside these ethereal creatures who continue to captivate us long after their passing.
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